On Planting Peas, Because It’s Time

Peas
Peas
On Planting Peas

It is early March and I am planting peas. The wan spring sun is finding its heat and lays like a warm hand upon my back as I work. Signs of approaching spring fill my senses in the mild air on my skin, the scent of damp soil and the shrieks of children as they run in frenzied circles of freedom, much like the birds swooping and circling above whistling their mix of songs.

We have passed the first intoxicating days of air that does not bite, endless sun warm enough to melt the last snowfall into a composition of dripping and trickling, soften the soil and make one’s blood run with the abandon of a stream overflowing with spring thaw. The dawns have come noticeably earlier and the muted indigo dusks have lost the sharp quickness of winter and softened to a moist lingering evening.

Perhaps it is the phase of the sun or the moon, the proximity to the vernal equinox or some eternal voice that speaks to those who will listen about the time and season of things, or my own impatience to join in with the cycle that has been going on without me for a few months. Whether it is any of these reasons or all of them or none of them, I awaken one day in March every year with the knowledge that this is the day to plant the peas. It is as clear a yearly anniversary for me as any holiday, and can never be planned.

This particular morning, awakening with this revelation, I reviewed the process of planting and imagined once again the garden I had been planning since the previous autumn, fed my cats and stepped out onto the deck with one or another of them and my coffee in hand as the sun lifted above the horizon. I listened to what the birds said in their morning song, closed my eyes and caught the scent of a chill early spring morning to find its opinion, and felt the warm sun wash assurance over my face and thereby determined that, yes, for whatever reasons, this day was right for both me and the peas.

I sorted the packets of peas out of the basket of seed packets, found the jars reserved for this purpose and filled them with warm water, opened the packets and counted the peas into the jars, taping their names around the jars to keep them sorted. The peas would soak for a few hours, welcomed into this world with a gentle bath, softening their outer layers and awakening the seedling within.

Seedlings are growing under lights in my basement, but at this stage they could be houseplants for all that they represent food. Planting the peas is the real thing. Putting seeds in the ground is an act of faith and trust that both you and nature will do your parts, that neither will you plant your peas under the wrong conditions and expect them to survive nor will nature scramble the seasons and instead of turning toward summer, turn back toward winter and eliminate the growing season. It is a promise to honor the needs of the seeds you sow, and so be rewarded with their provender.

Going about my daily business of checking the e-mail and the fax and making and returning a few phone calls, I was really only biding my time until the sun warmed the area of the garden where the peas would be planted. In early afternoon I dropped everything else and changed my clothes, preparing to break my own dormancy, clear the debris and decay of inactivity and begin to set my own seeds for another year of activity.

I had fondly reviewed each step of the process of planting peas while I completed the other necessary responsibilities of the day, and the outline of my task for the day was clear, but it was also leading me to visions of the garden to come and my excitement was building. Dressed in a flannel shirt over a t-shirt, jeans and rubber gardening clogs, I opened the basement door and burst outside, the first of many days I would do so. I chose my tools and moved everything to the long, narrow planting bed along the fence. This bed gets full sun nearly all day and has the best drainage for spring planting, and as they grow, the peas can twine their tendrils through the fence wire, giving the plants themselves the maximum amount of sunlight on their leaves and making the mature peas much easier to find at harvest time.

A slight breeze rustled dry leaves stuffed into corners of the garden and caused bare branches to click and rattle together. The earth’s crust looked dull gray-brown and callused with winter debris and clumps of frostbitten soil heaved up as the soil froze and thawed through the cold, but as I cleared away and turned under a winter’s worth of last year’s remains from its surface the moist soil beneath looked as rich as chocolate cake. As I applied my spading fork, gently pressing, lifting and turning forks full of soil to loosen it for roots to sprout and stretch an early robin followed close behind me. She ignored my polite question about her health and comment on the weather, intent instead on being the first to grab the fresh treats upturned by my work.

While the robin, joined by others, continued diving at creeping soil dwellers startled by their abrupt turn of soil, I rolled the wheelbarrow to the compost bin. I lifted the layer of tangled plants and autumn leaves to expose the fine humus beneath, last year’s garden trimmings and kitchen vegetable scraps recycled by nature to fertilize this year’s harvest. The robins hardly noticed my approach as I wheeled the barrow back to the bed and only moved a few feet up or down the bed as I began dropping forks full of compost over the soil and turned it under in another pass with the spading fork.

The steady work warmed me, rinsing the winter’s cold and stiffness from my muscles and bones, and already I felt stronger, more balanced, with more purpose to life than when I had awakened that morning. Even though little puffs of cold air still rose from shadows, working under the warming sun I found I could stand for the first time in a t-shirt, letting light breezes brush my arms, imagining what, in just a few months, would feel like unbearable heat, and this barren landscape of a backyard garden would be a humming, buzzing, lush tangle of growing things.

My cats divide their time among prowling the yard, inspecting in every corner and under every shrub for messages from other animal visitors to their yard, helpfully supervising my work, watching with narrowed eyes, then walking down along the furrow to check its precision, and napping for the first time in the warm spring sun on a bed of dry leaves. Cookie, Namir, Stanley, Sophie, Moses, Allegro, Kublai, all my garden companions through the years join me for this annual event as I watch the ones who approach me for pets, and fondly remember the antics and habits of those who are here in spirit.

Then it was time to draw the furrow, one long, straight row all the way down this narrow bed. As the furrow grew I remembered pea plantings from previous years, envisioning little sprouts in the soil, dainty white blossoms all over robust vines, delicate tendrils reaching out and upward, fluttering leaves creating a complicated pattern in shades of green with sunshine and shadow. As the last act of preparation, I got three thick, short twigs and, visually dividing the bed into four parts, one for each variety of pea, I placed a twig as a divider.

In the kitchen, I put the jars of soaking peas into a little basket then took them down to the garden while trying to decide in which order I should plant them. I plan my garden pretty thoroughly, but always allow for some last-minute decisions. I could stand there all afternoon debating with myself the best order for planting the four different varieties while grackles and blue jays kept a running commentary on my activity and everything else around, their squeaks and whistles and pops thrown from one to another from tree to tree and sometimes joining together just to make noise like a crowd of boisterous people. I know there is no need for change in what I had planned. Everything was ready, and it only remained to actually put the pea seeds in the furrow.

My fingers slightly apart over the top of the first jar, I held the jar close to the soil and walked along the bed in the first section, pouring the peas’ soaking water into the furrow, then filled the palm of my hand with some actual pea seeds. The peas, softened, warm, nearly hummed with life as I pushed them around in my palm. Carefully balancing my handful of pea seeds I dropped to one knee at the end of the bed. Taking one pea seed and then another in two fingers of one hand from the palm of the other I placed them one after another an unmeasured inch apart as if offering a gift. Creeping along on one knee in a seemingly ancient ritual of supplication, I continued down the bed, planting each of the four varieties in the same way, suppressing the surges of my inherent impatience borne of a life adapted to automation, with the orderly, sustained labor itself, letting the job take the time it needed to take, enjoying the activity, enjoying the travel without concentrating on the destination.

Now the pea seeds stretch like a strand of irregular freshwater pearls, pale green in their rich brown velvet bed of nurturing humus, plump from their soaking, fully awakened and ready, as I was this morning, to rejoin the cycle that has been turning while we have been dormant. Each one contains the ability to sprout, sink roots down into the soil and push cotyledons up through it, grow leaf after leaf, branching, reaching and climbing, its intent to give life to potentially hundreds of progeny. These peas have so many odds against them in the immense challenge of bringing new life into the world and the responsibility of carrying on their species, and yet their only defense is to stand there and take whatever is spent on them and do their best to fulfill their biological obligation. Surely after so many generations of being tossed into the soil and left on their own they have learned some organic equivalent of fear, yet they show no concern at their position but seem excited, eager to get on with the process.

I know it will snow again this season, the soil will freeze again, clutching around each tender seed, the rains may fall too much or too little, the heat may rise to an unusual summer’s pitch earlier than is expected, all of these things and more have happened in other springs; the conditions for life are never perfect. And suddenly, as every year, I feel a rush of protective love for these brave little peas, and that bond between a grower and the growing thing is formed, and I know, and the peas know, and everything else I will plant and nurture in this little space I call my own, that I will keep my part of the bargain and protect and support them in any way I can, and they will do their best with what is given them, and in the end they will gladly give and I will enjoy whatever gifts they have to offer, be it nourishment or visual delight or practical necessity.

Birds flying overhead cast moving shadows across the warm dark earth as I work, their paths crisscrossing as if to bless my activity as I move back along the row with my hoe, gently piling loose soil over the peas, surrounding them with all the nourishment I can give them, and then again as I return with the watering can, soaking the bed from end to end in my final act of planting before I leave these peas on their own.

A haze of high, thin clouds has formed on the southwest horizon, dulling the sunlight with a gossamer veil. I can once again feel the chill of winter and put my flannel shirt on over my t-shirt, gather my tools together and begin putting things away. Still at its lower winter angle, the sun will soon fall behind the tips of bare trees, then behind rooftops, then behind the silhouette of the edge of the earth, bathing this newly-turned bed full of pea seeds in the soft lavender of an early evening in late winter to be followed by the encouraging glow of a waxing moon.

Later, when the lavender twilight has deepened to an indigo dusk, the moonlight faded behind clouds then dissolved into a cold blue-black night velvet with moisture, I will hear the first few raindrops tap against the roof and windows, weighted with sustenance gathered from the earth in this thaw. As the drops are joined by more and yet more until there are no more individual drops, I will imagine each drop washing the soil down around each pea, pressing it ever so gently into the hand of its mother, who will cradle it, giving it the divine spark of its new life.

And I have once again passed this anniversary and rejoined the cycle.

Because that’s what I did over the weekend, on a day just like what’s described in my essay.

~~~

In 2003, a group of us had founded a community development organization among business owners in town to help build up foot traffic and interest in Carnegie. I handled arts issues, and later flower planting, but for those first two years I really wanted to pull together all the creative efforts around town, three galleries, historical society, various artists, church choirs, and writers hidden among it all.

While planning quarterly gallery walks and encouraging businesses to stay open for the guests who would visit, I also decided to found a writers’ group to meet at Andrew Carnegie Free Library & Music Hall.  We met once a month on Saturday morning. I had no experience in this but decided we needed one, and if I couldn’t guide it perhaps I’d attract someone who had more experience and could take it over.

At the end of 2003 I suggested we have a reading, each of us reading one or two pieces to whoever showed up to hear us. Then, after finding small books like this in bags of free books I suggested we all contribute one or two pieces of the writing we’d shared and I’d design and have a little folio book printed. We could sell them to help raise funds to pay for the printing and keep our group going.

And so we did. We had about eight people participate, and about a dozen gathered at a gallery to hear us in January 2004. I wrote this piece for that event and included it in the first edition of our book.

We continued meeting through 2004 until the catastrophic flood from Hurricane Ivan in September. We only missed one meeting and had another reading and another folio book in January 2005. At that point I felt I had to hand the organization over to someone else for new challenges with family member health and helping to clean up after the flood. The group kind of drifted, then quit meeting, but I am still thrilled for the two good years we had, and all the amazing stories and writing we shared.


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I Don’t Want to Be Colorblind

january20-2014-1000px-2
january20-2014-1000px-2
I Don’t Want to Be Colorblind

I Don’t Want To Be Colorblind

I don’t want to be
colorblind,
I want to paint
what I see,
the colors of our faces
like flowers,
not different
but tones of each others’
faces
as we turn toward the light,
we blend so beautifully.

poem and artwork © 2014 Bernadette E. Kazmarski

The illustration above is a sampler of all the shades of pastel I’ve used while painting portraits and sketches of people of all different “colors”, skin tones and ethnicities. All of them appear in all skin tones. Tell me, who is “black” and who is “white”? And what does “colored” mean?

In truth, we are all “colored”. Each of our faces has the darkest and lightest tones and all those in between, and even some colors we’d be surprised to find in skin tones. I can tell you that all the colors I smudged there have appeared in the highlights and shadows and mid-tones of every face. It largely depends on where you are standing in relation to the light.

Some people have suggested that Dr. Martin Luther King, Jr.’s dream of black children and white children going forward hand in hand, the ideal of seeing a person not for the color of their skin but for the content of their character, had the goal of a “colorblind” society. That’s a noble ideal on one hand, where we just don’t notice the color of a person’s skin in any situation and go on from there.

But does that truly bring justice to wrongdoing and change society in a way that makes the injustice people have suffered because of that color unacceptable? To suddenly begin to ignore the color of a person’s skin and jump immediately to integration is to jump right over the injustices done to people because of the color of their skin. It’s also ignoring an essential part of another person, shutting the door on a section of their life, a part that makes them distinctive. King did not use the term “colorblind” in any speech or written document, but his point is described by historians as a more “color aware” society where we recognize our differences, celebrate them and thereby heal through those very differences among ourselves.

When I create a piece of visual artwork I look for what makes the subject inspiring to me, what makes it distinctive, what makes me excited to share it with you. I like contrasts, I find what makes my subject different in its class, what makes it stand out from its surroundings. It’s my joy to find and share “the extraordinary in the ordinary”. If everything I painted looked the same, what need would there be for artwork?

Looking at people has always been like looking at a field of flowers for me—I find it hard to settle on one before I skip to another while I enjoy the visually exciting effect of all those different colors and shapes and heights and structures. Then I can can pause on each one and get to know each in its own unique detail.

When I rode the bus, long before I painted anything let alone a human portrait, I quietly studied all the faces around me for color and shape and texture, eye color, the hair that framed it, accessories and jewelry, and was often started by a stern expression of someone who didn’t understand why I studied them so intently. I was just looking for the things that made them unique and beautiful—not in the classic sense of beauty but in the classical sense, in that beauty is truth, in being true to who we are inside showing that on the outside, like the flower in the field that can’t help but be what it is.

If we are colorblind, we intentionally ignore some of the fundamental differences that make each of us irreplaceable. That denies a basic part of our personal existence and of human existence as a species; it denies a portion of our very identity as an individual.

That takes an awful lot of effort. Why not admit to our differences and get to know each other in full, and find the beauty in each of us. We have always been and will always be different from each other and might as well get used to it.

This 1996 essay entitled Misusing MLK Legacy and the Colorblind Theory explains more about King’s “color awareness”: https://racism.org/articles/defining-racism/143-colorblind-racism/869-justice06-1

Also, “Misappropriating MLK in the Critical Race Theory Debate,” Tyler D. Parry on History News Network: https://www.historynewsnetwork.org/article/misappropriating-mlk-in-the-critical-race-theory-d. The full article can be found on Black News Network at “Critical Race Theory and the Misappropriating of Martin Luther King, Jr.”: https://www.aaihs.org/critical-race-theory-and-the-misappropriating-of-martin-luther-king-jr/

~~~

Read more poetry here on Today or visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.


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After the Flowers: In Progress

After the Flowers
After the Flowers
After the Flowers

What’s left behind after the flowers have faded, dried, their petals blown away…new life. The seeds for next year, enough to feed some birds, enough to house a few insects to overwinter, tucked in and protected from winter winds, little spider sacs that will bloom with baby spiders when the spring sun washes what’s left. Some seeds have scattered in autumn winds, others fall to the ground under snow, each one packed with the chance for life to swell and burst with spring rains, push roots below the soil and sprout leaves above, and next summer a little cluster of Queen Anne’s lace plants will welcome the summer sun and nod in the breezes, lie down in the storms, and open clusters of tiny white flowers to lure an insect to pollinate, then when flowers are finished and blown away to stand there in the blast of winter and carry on its tradition.

 

Well, that was fun. I was only intending to add one or two sentences but I went on and on as the story developed in my mind, and decided to leave it, unedited, so it’s a…story? Essay? whatever…in progress.


“In Progress”

I’m calling this “in progress” because, rather than waiting until I had the chance to work it over a few times, I would give it my best rewrite while the experience was still fresh. I like to do that with poems and a quick, brief essay can have the same treatment. It’s part of what I do to encourage myself to write, not trying to make everything perfect before I present it but giving the drafts themselves attention.


About the Photo

Sometimes everything looks like a 1950s horror flick on black and white film, especially using the old original 50mm lens.

This photo was taken with Kodak 400 ISO black and white film using my 40-year-old Pentax K1000, on one overcast winter day, January 14, 2020. I used the scans from the company that developed them just as they came off the roll of film, no adjustments at all.

I mentioned to a friend that I’d considered getting my hands on some black and white film to use in my old Pentax K-1000 for my Christmas walk on the trail, but I couldn’t find any to purchase anywhere, and had no idea who developed it now. There is nothing like black and white film, and it’s been years since I’ve used it. He mentioned he had a few rolls and he’d give me some, which he did, and I waited for the right moment to load it in my camera and head out the door.


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Overcast: Essay in Progress

The Last Bale, pastel, 7" x 16", 2000 © Bernadette E. Kazmarski
The Last Bale, pastel, 7" x 16", 2000 © Bernadette E. Kazmarski
The Last Bale, pastel, 7″ x 16″, 1996 © Bernadette E. Kazmarski

It’s a cool and dark and undecided day and I am unsettled.

It’s trying to be 72° and sunny in October, obedient to the forecast. Yesterday was just as undecided, starting clear and sunny and heading toward warm but heavy overcast unexpectedly slid across the entire bowl of blue sky as if some unseen hand had pulled a blanket over us. Though the sun tried to peek around and through the clouds the overcast was absolute. The light dimmed, the leaves no longer fluttered in dappled sun, the birds no longer sang to each other from tree to tree, the temperature cooled at the beginning of what had been forecast to be a perfectly sunny and mild October week. No storms, not even rain, just a low gray sky and dank light. Today dawned just as dim and dark as the evening had ended yesterday.

A distant Nor’easter rolling up the east coast pushed the edges of its cloud cover all the way to Western Pennsylvania to dim these precious days. I feel unsettled because of it, because I have more energy on sunny days, I have much to do that I will enjoy doing, instead I am left with all my sunny day energy in this uninspiring weather, unable to do what I’d planned. And the second day of it felt foreboding, an unwelcome change that might be permanent.

But now I see lighter areas in the overcast, even bright areas, which means the clouds are thinning. Hazy areas of blue open up above me, with the promise of more to come. One wan beam of sunshine has reached down to my garden and briefly touched some scarlet and orange Virginia creeper leaves and changed everything.

When I decided to start recording my thoughts ten minutes ago all the sky that I could see was completely overcast, my back yard just as dark and still as it was yesterday. I had been moved to bring my coffee out to the garden and walk around the brick paths and look at my vegetables, something I do for necessity, fun and self-calming. The words came and started to form sentences so I decided to record my thoughts into voice to text.

But during the minutes I recorded my draft of the essay above the brighter areas in the clouds appeared and I looked up to see a spot of blue above my head. Over the next hour the overcast dissipated and all trace of clouds disappeared entirely, the temperature rising to a sweet 72, birds singing again, trees lightly swaying with the breeze, sounding like distant waves.

Changes come, in their own time.


“In Progress”

I’m calling this an “essay in progress” because, rather than waiting until I had the chance to work it over a few times, I would give it my best rewrite while the experience was still fresh. I like to do that with poems and a quick, brief essay can have the same treatment. It’s part of what I do to encourage myself to write, not trying to make everything perfect before I present it but giving the drafts themselves attention.

Here is the draft I recorded into my phone, saved as a text file. I like the simplicity of it but I didn’t think it caught my perceptions and reactions in a way that made the point about indecision, which was what inspired me to explore why I felt so unsettled. I may change my mind about that and edit:

It’s a cool and dark and undecided day. It’s trying to be 72° and sunny in October. Yesterday was the same, the bigger surprise because it was to be a perfectly sunny and mild October week. Instead a distant Nor’easter on the east coast has pushed the edges of its cloud cover all the way to Western Pennsylvania to dim this wonderful day. I feel unsettled because of it, because I have more energy on sunny days, I have much to do that I will enjoy doing, instead this weather has made me decide to do other things. Yesterday was a nearly uniform gray low cover of clouds, still, even the birds were quiet. Today I see some very light areas in the clouds which means they are thinning, and there are some hazy areas of blue moving in above me. One wan beam of sunshine has reached down to my garden and briefly touched some scarlet and orange Virginia creeper leaves and changed everything.

When I decided to start recording my thoughts just now, this guy was completely overcast, and my backyard just as dark as it was yesterday, but in the 5 minutes during which I recorded the paragraph above the brighter areas in the clouds moved in and I looked up to see a spot of blue above my head. Change is come, in their own time.


The painting is “The Last Bale, pastel, 7″ x 16″, 1996” by me. It is not my back yard, I painted it en plein air, standing in the field at a friend’s farm on a sunny and warm November afternoon in 1996 when, once again, a heavy overcast came from nowhere and blanketed everything. It wasn’t the sparkling afternoon I’d enjoyed with photography, but I decided to make something of it anyway. That sort of overcast doesn’t always make me feel unsettled—often I like it, and in this case catching that uncertain light and skies when the fields are spent, most leaves have fallen, and one round bale was left out in the field was more descriptive of that time of year, of the end of a year of farming, than a bright sunny day.


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September 11, and September 12

September 12, 2001
September 12, 2001

The mornings this September have had that particular autumnal cool with a little mist and I thought the spell might have been broken. But the morning this September 11 is sunny, blue, and warm, and eerily quiet, so much like that morning 24 years ago when I was painting a couple of wooden chairs with white paint, dressed in shorts and a tank top, after picking a basket of tomatoes from the garden.

No painting this morning but gardening for sure, and I stood for a moment and let that day come back to me, listening to NPR and hearing about the first plane about 8:50 a.m., and paying close attention after that wondering if, feeling that, there would be more to the story. Twenty minutes later I got my answer, and suddenly the beautiful morning and painting the chairs was far less important than it had been.

September 11

Aside from being in the mid-Atlantic region of the United States, I am nowhere near New York or Washington DC. I am, however, barely an hour away from Shanksville. On the hot sunny morning of September 11, 2001, I was just finishing work outdoors in my back yard when I heard on the radio that a plane had the North Tower of the World Trade Center. Thinking it was an unfortunate accident I continued listening to the radio for details and 20 minutes later heard that a second plane had hit the South Tower and knew instinctively, as I’m sure we all did, that it was no accident.

My radar for tragedy was sensitized; just a few months before my mother had unexpectedly nearly died after lung cancer surgery, held on for six weeks then miraculously awakened from a near-coma one day and gone on to recover, rehabilitate and return home, though weak and fragile, needing my constant support. The previous year my brother had suffered a traumatic brain injury in an accident and at that time lived in a nursing home 30 miles away. I was integral to their recoveries and care and was legal guardian and power of attorney, and my carefully-planned self-employment was unraveling.

When I heard the news, I was out on my garden patio by the basement door, putting another coat of paint on some vintage wooden chairs I used on my deck before winter would peel the last of it off. Garden cat Moses was dozing on the warm bricks, soaking in the sun, the tip of her tail gently tapping the bricks in contentment. I always worked in my garden and did small projects early in the day to make sure they got done before I hit my computer, and to make sure I didn’t hit the computer as soon as I got up and stayed on it all day long. It was a hot, sticky late summer morning, my verdant garden a green jungle, birds twittering everywhere stocking up for migration and winter, and work waiting for me indoors. The first report that it was likely an accident, planes had hit buildings in the past, staved off some worry. Then the second plane hit when everyone in Manhattan was looking at the towers and saw the direction, the turn, the increase in speed prior to hitting the tower, and suddenly a perfect morning had turned unreal.

Jets fly overhead all the time. I have lived in the flight path for Pittsburgh International Airport all my life, and just as close to an Air Force base, and not only do they fly overhead, they circle and slow down and make noise and fly at crazy angles as they come in for a landing. A noisy plane flying low overhead is something I didn’t even notice. But two planes had just hit the two towers of the World Trade Center and a third had hit the Pentagon. I suddenly noticed that the sky was very quiet for that time of the morning.

After the plane hit the Pentagon, I put Moses inside the basement, much to her consternation, as if she needed to be protected from what might be happening, and I suddenly felt exposed under the clarity of that blue sky. As the story grew I thought of my mother and brother and if I should get them and put them somewhere just to make sure they were safe too. Everything seemed suddenly slightly askew.

Then in the increasing quiet as traffic cleared the roads, in that empty perfect clear blue September sky, a single plane went overhead and my hackles rose, a cold tingle running to my fingers on that warm morning as I watched it seeming to struggle through the sky overhead. Shortly thereafter we heard about the crash in Shanksville and I imagined the comforting familiarity of perfect green rolling hills of my Western Pennsylvania home bathed in morning sun, now wrenched open and strewn with the wreckage of violence.

I hurried inside, no longer feeling safe under that warm blue sky. I thought of my mother in her home about a mile and a half away, still weak and needing daily assistance for most activities, many prescriptions and home oxygen. If all this was suddenly disrupted, what would I do? Should I go to her house now? Should I try to get her to a more secure place, like a hospital?

And my brother in the nursing home 30 miles north of me, continuing his recovery from a traumatic brain injury the previous year, also requiring a lot of daily care, medications and supervision. Should I try to move him closer? What if I couldn’t get to him?

And my sister a few miles away with her younger daughter and grandchild? And my niece and her three babies, one of them just six days old, a few miles in the other direction? Should we all find a place to go?

Anyone else would have run for the television, but I didn’t have one then, and I don’t have one now, so I never got to see the very first images that showed up on CNN that morning, heard the fear in the newscasters’ voices. I listened to the familiar voices of the local and NPR reporters describing the events on my radio, feeling calmer listening to their words and being able to move around my house than I would have being trapped in front of a television. I called my mother and later went to her house and watched there.

Did any of us know what to do in those first hours and days, even those of us so far from the terrible scenes of death and destruction more horrible than we could imagine?

It wasn’t until the gentle, perfect beauty of September 12 that the effects of what had happened became reality for me. Not only do I live very near Pittsburgh International Airport, I am also at the intersection of two interstates right outside of Pittsburgh and hear the noises of all this traffic every day, especially in the morning. The next day, with travel restricted on land and in the air, was so eerily quiet. The beauty of the warm sun and clear blue sky, the peaceful twitters of birds and hum of bees we could rarely hear with traffic and daily noises, the clear views of the tree-covered hills made the morning seem like paradise at first, as if everything would be okay after all. But the clear stillness became unnerving as the hours of daylight passed and we had no more of our questions answered, nor knew the extent of the damage and death as it was still unfolding in all three areas.

Perhaps those perfect September days were given to calm us before we learned how our lives had changed.

September 12

Today looks no different from yesterday
but forever against the backdrop of a blue September sky
we will now remember the loss of our innocence.

September 11 was a blur of images and fears and unknowns, and for me it wasn’t until September 12 dawned and brightened into another seemingly perfect September day, blue sky and all, that what had happened, and the permanent change it brought, really settled in.

poem September 12 © Bernadette E. Kazmarski


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The Aftereffects

Alfons J Kazmarski, Army of the United States Technician Fourth Grade, 115th Quartermaster Bakery Company, Asiatic Pacific Theater, India, enlisted 11 May 1942, discharged 21 Mar 1946.
Alfons J Kazmarski, Army of the United States Technician Fourth Grade, 115th Quartermaster Bakery Company, Asiatic Pacific Theater, India, enlisted 11 May 1942, discharged 21 Mar 1946.
Alfons J Kazmarski, Army of the United States Technician Fourth Grade, 115th Quartermaster Bakery Company, Asiatic Pacific Theater, India, enlisted 11 May 1942, discharged 21 Mar 1946.

My father and I were in the kitchen of the house where I grew up one morning in 1987, having a nice conversation. This was not a typical event because I’d never had a substantial conversation with my father before that, nothing more than one-word answers or brief sentences.

I don’t remember exactly what we talked about, but I think it was just chit chat, something about the weather, maybe a news story or something. Winter morning sun streamed through the windows over the table and in the back door and diffused through the white sheers on the dining room window in the tiny ranch house as we stood there exchanging words. He spoke with some animation, responding to what I’d said, asking questions of what I thought about something.

I was 25 and don’t remember ever hearing his natural conversational voice aside from the subdued, minimal answers he gave to questions and occasional brief comments. Just a year before he had injured himself in the small bakery where he worked, a very unusual circumstance for all the years since his childhood working in the family bakery, through service in WWII and then in other family and otherwise small bakeries after the war to that point. He was treated for the injury to his hand but the wise emergency room doctors and nurses had noticed some respiratory and cognitive issues. He was diagnosed with lung cancer the day before the Challenger shuttle broke up over the watching nation of students and teachers and citizens, and I think I cried hard for that tragedy in large part because the shock of the diagnosis had just begun to wear off. The mass was right at the point where his lungs separated from his trachea and impacted both lungs. The surgery was long and difficult, but when he was healing well physically and was not returning to a full mental state they realized his cognitive issues may not have been entirely due to the cancer.

After tests and trials of a few medications doctors determined he had parkinsonism or Parkinson Syndrome, evidencing the symptoms of Parkinson’s disease like the fixed, unblinking gaze, shuffling gait, rigidity and slow movements. The cause is usually unknown but is usually induced by certain drugs or environmental toxins, head trauma or brain damage. The doctors traced it back to a nearly fatal malarial fever my father had had while serving in India in the Asian-Pacific theater of WWII that likely caused mild brain damage at the time, but may have unknowingly caused enough damage in the right areas that he slowly produced progressively less dopamine and more symptoms over a period of decades. This concurred with what others had seen—one of his Army buddies visiting said he’d never been the same after he was sick.

By the time I remember him he was the silent, stone-faced person at the dinner table, or driving the car, or sleeping on the couch before he went to work in the bakery in the middle of the night, the person holding me in the photo.

My father and me, spring 1964.
A Conversation with My Father

Apparently the current medications and treatments were somewhat effective considering his comparative ease of movement and his conversational ability. The conversation continued for a while and then he left the kitchen to talk to my mother who was in my old bedroom at her vanity getting ready to leave the house.

“She’s a really nice girl,” I heard him say. “Who is she?”

I didn’t hear my mother’s response.

My mother was getting ready to leave the house because my father was going to the hospital for tests and observation and I was there to drive them and help them through admissions. The medications and treatments had indeed loosened up his body enabling him to move and speak as he hadn’t in years, but it wasn’t consistent. His mind was quickly becoming fragmented and he was developing frequent pneumonia and had also had prostate surgery. Because he hadn’t driven since his surgery I had arrived at the house in the morning ready to take them to many appointments during the previous year.

My father would not return from this one. After an extended hospital stay it was determined that skilled nursing care was necessary to manage all his conditions.

I was the youngest. I was the first family member my father “forgot” as his mind marched backward in time through the next four years and he seemed to relive his life in reverse, slipped deeper into dementia, and lost speech entirely along with any control over his body.

Even though my father had no idea who I was, the person he was in that moment found that I was a nice person. I’ll take that. I’d discovered with my mother under medical circumstances that the person underneath the mask of lifelong undiagnosed issues sometimes surfaces with great clarity at odd moments. I got to see for just a moment who that relaxed, broadly smiling person was in a photo I found in my brother’s baby book taken just four years earlier than the still-faced photo of him holding me.  And I found out where my deep dimples came from.

My father smiling and laughing, summer 1960
My father smiling and laughing, summer 1960

How many other families also lost a family member slowly over decades after military service? Some conditions are recognized for long-standing emotional aftereffects, like PTSD, and some for physical aftereffects, like Agent Orange and other chemical pollutants service members encountered during service. How many other children wondered who this person was, how many spouses wondered who was the person who came back, or who changed fundamentally years later?

On Memorial Day I listen to the stories of others whose loved one died in service, that horrible reality. I also remember my father whose life was fundamentally changed, and the aftereffects on the group of us, my mother, sister and brother, whose lives were very different from what they would have been otherwise.

~~~

Read an essay about the photo of that smiling man, Father’s Day.


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Living Up to The Dream

Favorite feral tabby.
Favorite feral tabby.
Favorite feral tabby.

This year the message on Martin Luther King Jr.’s birthday is to not celebrate, but activate. Take an activist role in achieving his dream of equality and justice for all, for righting the historic wrongs done to black people as well as the wrongs still done today, and most of all to pass laws to ensure the right to vote.

Equality in opportunity of all sorts and inclusion in society’s processes is still not achieved if we look around us, recognize the portion of the local population that is black or non-white, and see that they are not represented in anywhere near the numbers they should be to truly be included in decision-making anywhere, in government, in business, even in individual workplaces.

One of those areas where black representation is deficient is animal welfare. In leadership positions at shelters and humane organizations of all sizes, the representation, or lack thereof, is embarrassing. Yet about a century ago black people were leaders in the nascent animal welfare world in this country, even as they worked for the welfare of their own people in the era of segregation and Jim Crow, often at risk to their own lives. Coming around to today and studying the history of animal welfare, we don’t see those pioneers. They are barely mentioned, removed from the stories, just as their accomplishments and their selves were removed from the history of societal changes in this country.

This is an excerpt of an essay I published on The Creative Cat in honor of Martin Luther King Day. Please visit The Creative Cat to read the rest of the essay: Living Up to The Dream


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I Don’t Want to Be Colorblind

january20-2014-1000px-2
january20-2014-1000px-2
I Don’t Want to Be Colorblind

I Don’t Want To Be Colorblind

I don’t want to be
colorblind,
I want to paint
what I see,
the colors of our faces
like flowers,
not different
but tones of each others’
faces
as we turn toward the light,
we blend so beautifully.

poem and artwork © 2014 Bernadette E. Kazmarski

The illustration above is a sampler of all the shades of pastel I’ve used while painting portraits and sketches of people of all different “colors”, skin tones and ethnicities. All of them appear in all skin tones. Tell me, who is “black” and who is “white”? And what does “colored” mean?

In truth, we are all “colored”. Each of our faces has the darkest and lightest tones and all those in between, and even some colors we’d be surprised to find in skin tones. I can tell you that all the colors I smudged there have appeared in the highlights and shadows and mid-tones of every face. It largely depends on where you are standing in relation to the light.

Some people have suggested that Dr. Martin Luther King, Jr.’s dream of black children and white children going forward hand in hand, the ideal of seeing a person not for the color of their skin but for the content of their character, had the goal of a “colorblind” society. That’s a noble ideal on one hand, where we just don’t notice the color of a person’s skin in any situation and go on from there.

But does that truly bring justice to wrongdoing and change society in a way that makes the injustice people have suffered because of that color unacceptable? To suddenly begin to ignore the color of a person’s skin and jump immediately to integration is to jump right over the injustices done to people because of the color of their skin. It’s also ignoring an essential part of another person, shutting the door on a section of their life, a part that makes them distinctive. King did not use the term “colorblind” in any speech or written document, but his point is described by historians as a more “color aware” society where we recognize our differences, celebrate them and thereby heal through those very differences among ourselves.

When I create a piece of visual artwork I look for what makes the subject inspiring to me, what makes it distinctive, what makes me excited to share it with you. I like contrasts, I find what makes my subject different in its class, what makes it stand out from its surroundings. It’s my joy to find and share “the extraordinary in the ordinary”. If everything I painted looked the same, what need would there be for artwork?

Looking at people has always been like looking at a field of flowers for me—I find it hard to settle on one before I skip to another while I enjoy the visually exciting effect of all those different colors and shapes and heights and structures. Then I can can pause on each one and get to know each in its own unique detail.

When I rode the bus, long before I painted anything let alone a human portrait, I quietly studied all the faces around me for color and shape and texture, eye color, the hair that framed it, accessories and jewelry, and was often started by a stern expression of someone who didn’t understand why I studied them so intently. I was just looking for the things that made them unique and beautiful—not in the classic sense of beauty but in the classical sense, in that beauty is truth, in being true to who we are inside showing that on the outside, like the flower in the field that can’t help but be what it is.

If we are colorblind, we intentionally ignore some of the fundamental differences that make each of us irreplaceable. That denies a basic part of our personal existence and of human existence as a species; it denies a portion of our very identity as an individual.

That takes an awful lot of effort. Why not admit to our differences and get to know each other in full, and find the beauty in each of us. We have always been and will always be different from each other and might as well get used to it.

This 1996 essay entitled Misusing MLK Legacy and the Colorblind Theory explains more about King’s “color awareness”: https://racism.org/articles/defining-racism/143-colorblind-racism/869-justice06-1

Also, “Misappropriating MLK in the Critical Race Theory Debate,” Tyler D. Parry on History News Network: https://www.historynewsnetwork.org/article/misappropriating-mlk-in-the-critical-race-theory-d. The full article can be found on Black News Network at “Critical Race Theory and the Misappropriating of Martin Luther King, Jr.”: https://www.aaihs.org/critical-race-theory-and-the-misappropriating-of-martin-luther-king-jr/

~~~

Read more poetry here on Today or visit my poetry page to see more about my poetry and other writing, and to purchase Paths I Have Walked.


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September 11, and September 12

September 12, 2001
September 12, 2001

The mornings this September have had that particular autumnal cool with a little mist and I thought the spell might have been broken. But the morning this September 11 is sunny, blue, and warm, and eerily quiet, so much like that morning 20 years ago.

September 11

Aside from being in the mid-Atlantic region of the United States, I am nowhere near New York or Washington DC. I am, however, barely an hour away from Shanksville. On the hot sunny morning of September 11, 2001, I was just finishing work outdoors in my back yard when I heard on the radio that a plane had the North Tower of the World Trade Center. Thinking it was an unfortunate accident I continued listening to the radio for details and 20 minutes later heard that a second plane had hit the South Tower and knew instinctively, as I’m sure we all did, that it was no accident.

My radar for tragedy was sensitized; just a few months before my mother had unexpectedly nearly died after lung cancer surgery, held on for six weeks then miraculously awakened from a near-coma one day and gone on to recover, rehabilitate and return home, though weak and fragile, needing my constant support. The previous year my brother had suffered a traumatic brain injury in an accident and at that time lived in a nursing home 30 miles away. I was integral to their recoveries and care and was legal guardian and power of attorney, and my carefully-planned self-employment was unraveling.

When I heard the news, I was out on my garden patio by the basement door, putting another coat of paint on some vintage wooden chairs I used on my deck before winter would peel the last of it off. Garden cat Moses was dozing on the warm bricks, soaking in the sun, the tip of her tail gently tapping the bricks in contentment. I always worked in my garden and did small projects early in the day to make sure they got done before I hit my computer, and to make sure I didn’t hit the computer as soon as I got up and stayed on it all day long. It was a hot, sticky late summer morning, my verdant garden a green jungle, birds twittering everywhere stocking up for migration and winter, and work waiting for me indoors. The first report that it was likely an accident, planes had hit buildings in the past, staved off some worry. Then the second plane hit when everyone in Manhattan was looking at the towers and saw the direction, the turn, the increase in speed prior to hitting the tower, and suddenly a perfect morning had turned unreal.

Jets fly overhead all the time. I have lived in the flight path for Pittsburgh International Airport all my life, and just as close to an Air Force base, and not only do they fly overhead, they circle and slow down and make noise and fly at crazy angles as they come in for a landing. A noisy plane flying low overhead is something I didn’t even notice. But two planes had just hit the two towers of the World Trade Center and a third had hit the Pentagon. I suddenly noticed that the sky was very quiet for that time of the morning.

After the plane hit the Pentagon, I put Moses inside the basement, much to her consternation, as if she needed to be protected from what might be happening, and I suddenly felt exposed under the clarity of that blue sky. As the story grew I thought of my mother and brother and if I should get them and put them somewhere just to make sure they were safe too. Everything seemed suddenly slightly askew.

Then in the increasing quiet as traffic cleared the roads, in that empty perfect clear blue September sky, a single plane went overhead and my hackles rose, a cold tingle running to my fingers on that warm morning as I watched it seeming to struggle through the sky overhead. Shortly thereafter we heard about the crash in Shanksville and I imagined the comforting familiarity of perfect green rolling hills of my Western Pennsylvania home bathed in morning sun, now wrenched open and strewn with the wreckage of violence.

I hurried inside, no longer feeling safe under that warm blue sky. I thought of my mother in her home about a mile and a half away, still weak and needing daily assistance for most activities, many prescriptions and home oxygen. If all this was suddenly disrupted, what would I do? Should I go to her house now? Should I try to get her to a more secure place, like a hospital?

And my brother in the nursing home 30 miles north of me, continuing his recovery from a traumatic brain injury the previous year, also requiring a lot of daily care, medications and supervision. Should I try to move him closer? What if I couldn’t get to him?

And my sister a few miles away with her younger daughter and grandchild? And my niece and her three babies, one of them just six days old, a few miles in the other direction? Should we all find a place to go?

Anyone else would have run for the television, but I didn’t have one then, and I don’t have one now, so I never got to see the very first images that showed up on CNN that morning, heard the fear in the newscasters’ voices. I listened to the familiar voices of the local and NPR reporters describing the events on my radio, feeling calmer listening to their words and being able to move around my house than I would have being trapped in front of a television. I called my mother and later went to her house and watched there.

Did any of us know what to do in those first hours and days, even those of us so far from the terrible scenes of death and destruction more horrible than we could imagine?

It wasn’t until the gentle, perfect beauty of September 12 that the effects of what had happened became reality for me. Not only do I live very near Pittsburgh International Airport, I am also at the intersection of two interstates right outside of Pittsburgh and hear the noises of all this traffic every day, especially in the morning. The next day, with travel restricted on land and in the air, was so eerily quiet. The beauty of the warm sun and clear blue sky, the peaceful twitters of birds and hum of bees we could rarely hear with traffic and daily noises, the clear views of the tree-covered hills made the morning seem like paradise at first, as if everything would be okay after all. But the clear stillness became unnerving as the hours of daylight passed and we had no more of our questions answered, nor knew the extent of the damage and death as it was still unfolding in all three areas.

Perhaps those perfect September days were given to calm us before we learned how our lives had changed.

September 12

Today looks no different from yesterday
but forever against the backdrop of a blue September sky
we will now remember the loss of our innocence.

September 11 was a blur of images and fears and unknowns, and for me it wasn’t until September 12 dawned and brightened into another seemingly perfect September day, blue sky and all, that what had happened, and the permanent change it brought, really settled in.

poem September 12 © Bernadette E. Kazmarski


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A Walk in Black and White Film

I loaded a roll of black and white film into my old Pentax K1000 and headed out to walk to the grocery store, bringing back images from around my neighborhood along with my groceries.

Though this is a photo essay I also describe the process and reason for taking my camera on mundane walks to find extraordinary things, including story and poetry ideas. In fact, there will be at least one story out of this walk, and it’s in there among the photos. I can’t wait to see where it starts and where it goes!

One of the reasons for using black and white film is that removing the distraction of color permits other interesting elements to shine and become the story, and using film slows me down, makes me think a little harder about using one more frame on this roll. When I’m out with my digital DSLR I just let go and photograph anything I darned well please, and I need to do that too, let go and just be part of the scene and record it as I feel it.

But sometimes, just as with writing, to get to the core of something, you need to slow down, tighten up and focus, search yourself and funnel down to exactly what it is you want to say. Going “old school” with black and white film in the old (but still beloved) Pentax K1000 is like writing your stuff on a tablet with your favorite writing implement: pencil, ballpoint pen, marker, fountain pen. I love my gel pen on a legal pad, but when a poem comes along any scrap of writable material and any writing implement will do for a draft.

So enjoy the photos and the essay on my photography blog, Today: A Walk in Black and White Film


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