What’s left behind after the flowers have faded, dried, their petals blown away…new life. The seeds for next year, enough to feed some birds, enough to house a few insects to overwinter, tucked in and protected from winter winds, little spider sacs that will bloom with baby spiders when the spring sun washes what’s left. Some seeds have scattered in autumn winds, others fall to the ground under snow, each one packed with the chance for life to swell and burst with spring rains, push roots below the soil and sprout leaves above, and next summer a little cluster of Queen Anne’s lace plants will welcome the summer sun and nod in the breezes, lie down in the storms, and open clusters of tiny white flowers to lure an insect to pollinate, then when flowers are finished and blown away to stand there in the blast of winter and carry on its tradition.
Well, that was fun. I was only intending to add one or two sentences but I went on and on as the story developed in my mind, and decided to leave it, unedited, so it’s a…story? Essay? whatever…in progress.
“In Progress”
I’m calling this “in progress” because, rather than waiting until I had the chance to work it over a few times, I would give it my best rewrite while the experience was still fresh. I like to do that with poems and a quick, brief essay can have the same treatment. It’s part of what I do to encourage myself to write, not trying to make everything perfect before I present it but giving the drafts themselves attention.
About the Photo
Sometimes everything looks like a 1950s horror flick on black and white film, especially using the old original 50mm lens.
This photo was taken with Kodak 400 ISO black and white film using my 40-year-old Pentax K1000, on one overcast winter day, January 14, 2020. I used the scans from the company that developed them just as they came off the roll of film, no adjustments at all.
I mentioned to a friend that I’d considered getting my hands on some black and white film to use in my old Pentax K-1000 for my Christmas walk on the trail, but I couldn’t find any to purchase anywhere, and had no idea who developed it now. There is nothing like black and white film, and it’s been years since I’ve used it. He mentioned he had a few rolls and he’d give me some, which he did, and I waited for the right moment to load it in my camera and head out the door.
It’s a cool and dark and undecided day and I am unsettled.
It’s trying to be 72° and sunny in October, obedient to the forecast. Yesterday was just as undecided, starting clear and sunny and heading toward warm but heavy overcast unexpectedly slid across the entire bowl of blue sky as if some unseen hand had pulled a blanket over us. Though the sun tried to peek around and through the clouds the overcast was absolute. The light dimmed, the leaves no longer fluttered in dappled sun, the birds no longer sang to each other from tree to tree, the temperature cooled at the beginning of what had been forecast to be a perfectly sunny and mild October week. No storms, not even rain, just a low gray sky and dank light. Today dawned just as dim and dark as the evening had ended yesterday.
A distant Nor’easter rolling up the east coast pushed the edges of its cloud cover all the way to Western Pennsylvania to dim these precious days. I feel unsettled because of it, because I have more energy on sunny days, I have much to do that I will enjoy doing, instead I am left with all my sunny day energy in this uninspiring weather, unable to do what I’d planned. And the second day of it felt foreboding, an unwelcome change that might be permanent.
But now I see lighter areas in the overcast, even bright areas, which means the clouds are thinning. Hazy areas of blue open up above me, with the promise of more to come. One wan beam of sunshine has reached down to my garden and briefly touched some scarlet and orange Virginia creeper leaves and changed everything.
When I decided to start recording my thoughts ten minutes ago all the sky that I could see was completely overcast, my back yard just as dark and still as it was yesterday. I had been moved to bring my coffee out to the garden and walk around the brick paths and look at my vegetables, something I do for necessity, fun and self-calming. The words came and started to form sentences so I decided to record my thoughts into voice to text.
But during the minutes I recorded my draft of the essay above the brighter areas in the clouds appeared and I looked up to see a spot of blue above my head. Over the next hour the overcast dissipated and all trace of clouds disappeared entirely, the temperature rising to a sweet 72, birds singing again, trees lightly swaying with the breeze, sounding like distant waves.
Changes come, in their own time.
“In Progress”
I’m calling this an “essay in progress” because, rather than waiting until I had the chance to work it over a few times, I would give it my best rewrite while the experience was still fresh. I like to do that with poems and a quick, brief essay can have the same treatment. It’s part of what I do to encourage myself to write, not trying to make everything perfect before I present it but giving the drafts themselves attention.
Here is the draft I recorded into my phone, saved as a text file. I like the simplicity of it but I didn’t think it caught my perceptions and reactions in a way that made the point about indecision, which was what inspired me to explore why I felt so unsettled. I may change my mind about that and edit:
It’s a cool and dark and undecided day. It’s trying to be 72° and sunny in October. Yesterday was the same, the bigger surprise because it was to be a perfectly sunny and mild October week. Instead a distant Nor’easter on the east coast has pushed the edges of its cloud cover all the way to Western Pennsylvania to dim this wonderful day. I feel unsettled because of it, because I have more energy on sunny days, I have much to do that I will enjoy doing, instead this weather has made me decide to do other things. Yesterday was a nearly uniform gray low cover of clouds, still, even the birds were quiet. Today I see some very light areas in the clouds which means they are thinning, and there are some hazy areas of blue moving in above me. One wan beam of sunshine has reached down to my garden and briefly touched some scarlet and orange Virginia creeper leaves and changed everything.
When I decided to start recording my thoughts just now, this guy was completely overcast, and my backyard just as dark as it was yesterday, but in the 5 minutes during which I recorded the paragraph above the brighter areas in the clouds moved in and I looked up to see a spot of blue above my head. Change is come, in their own time.
The painting is “The Last Bale, pastel, 7″ x 16″, 1996” by me. It is not my back yard, I painted it en plein air, standing in the field at a friend’s farm on a sunny and warm November afternoon in 1996 when, once again, a heavy overcast came from nowhere and blanketed everything. It wasn’t the sparkling afternoon I’d enjoyed with photography, but I decided to make something of it anyway. That sort of overcast doesn’t always make me feel unsettled—often I like it, and in this case catching that uncertain light and skies when the fields are spent, most leaves have fallen, and one round bale was left out in the field was more descriptive of that time of year, of the end of a year of farming, than a bright sunny day.
The mornings this September have had that particular autumnal cool with a little mist and I thought the spell might have been broken. But the morning this September 11 is sunny, blue, and warm, and eerily quiet, so much like that morning 24 years ago when I was painting a couple of wooden chairs with white paint, dressed in shorts and a tank top, after picking a basket of tomatoes from the garden.
No painting this morning but gardening for sure, and I stood for a moment and let that day come back to me, listening to NPR and hearing about the first plane about 8:50 a.m., and paying close attention after that wondering if, feeling that, there would be more to the story. Twenty minutes later I got my answer, and suddenly the beautiful morning and painting the chairs was far less important than it had been.
September 11
Aside from being in the mid-Atlantic region of the United States, I am nowhere near New York or Washington DC. I am, however, barely an hour away from Shanksville. On the hot sunny morning of September 11, 2001, I was just finishing work outdoors in my back yard when I heard on the radio that a plane had the North Tower of the World Trade Center. Thinking it was an unfortunate accident I continued listening to the radio for details and 20 minutes later heard that a second plane had hit the South Tower and knew instinctively, as I’m sure we all did, that it was no accident.
My radar for tragedy was sensitized; just a few months before my mother had unexpectedly nearly died after lung cancer surgery, held on for six weeks then miraculously awakened from a near-coma one day and gone on to recover, rehabilitate and return home, though weak and fragile, needing my constant support. The previous year my brother had suffered a traumatic brain injury in an accident and at that time lived in a nursing home 30 miles away. I was integral to their recoveries and care and was legal guardian and power of attorney, and my carefully-planned self-employment was unraveling.
When I heard the news, I was out on my garden patio by the basement door, putting another coat of paint on some vintage wooden chairs I used on my deck before winter would peel the last of it off. Garden cat Moses was dozing on the warm bricks, soaking in the sun, the tip of her tail gently tapping the bricks in contentment. I always worked in my garden and did small projects early in the day to make sure they got done before I hit my computer, and to make sure I didn’t hit the computer as soon as I got up and stayed on it all day long. It was a hot, sticky late summer morning, my verdant garden a green jungle, birds twittering everywhere stocking up for migration and winter, and work waiting for me indoors. The first report that it was likely an accident, planes had hit buildings in the past, staved off some worry. Then the second plane hit when everyone in Manhattan was looking at the towers and saw the direction, the turn, the increase in speed prior to hitting the tower, and suddenly a perfect morning had turned unreal.
Jets fly overhead all the time. I have lived in the flight path for Pittsburgh International Airport all my life, and just as close to an Air Force base, and not only do they fly overhead, they circle and slow down and make noise and fly at crazy angles as they come in for a landing. A noisy plane flying low overhead is something I didn’t even notice. But two planes had just hit the two towers of the World Trade Center and a third had hit the Pentagon. I suddenly noticed that the sky was very quiet for that time of the morning.
After the plane hit the Pentagon, I put Moses inside the basement, much to her consternation, as if she needed to be protected from what might be happening, and I suddenly felt exposed under the clarity of that blue sky. As the story grew I thought of my mother and brother and if I should get them and put them somewhere just to make sure they were safe too. Everything seemed suddenly slightly askew.
Then in the increasing quiet as traffic cleared the roads, in that empty perfect clear blue September sky, a single plane went overhead and my hackles rose, a cold tingle running to my fingers on that warm morning as I watched it seeming to struggle through the sky overhead. Shortly thereafter we heard about the crash in Shanksville and I imagined the comforting familiarity of perfect green rolling hills of my Western Pennsylvania home bathed in morning sun, now wrenched open and strewn with the wreckage of violence.
I hurried inside, no longer feeling safe under that warm blue sky. I thought of my mother in her home about a mile and a half away, still weak and needing daily assistance for most activities, many prescriptions and home oxygen. If all this was suddenly disrupted, what would I do? Should I go to her house now? Should I try to get her to a more secure place, like a hospital?
And my brother in the nursing home 30 miles north of me, continuing his recovery from a traumatic brain injury the previous year, also requiring a lot of daily care, medications and supervision. Should I try to move him closer? What if I couldn’t get to him?
And my sister a few miles away with her younger daughter and grandchild? And my niece and her three babies, one of them just six days old, a few miles in the other direction? Should we all find a place to go?
Anyone else would have run for the television, but I didn’t have one then, and I don’t have one now, so I never got to see the very first images that showed up on CNN that morning, heard the fear in the newscasters’ voices. I listened to the familiar voices of the local and NPR reporters describing the events on my radio, feeling calmer listening to their words and being able to move around my house than I would have being trapped in front of a television. I called my mother and later went to her house and watched there.
Did any of us know what to do in those first hours and days, even those of us so far from the terrible scenes of death and destruction more horrible than we could imagine?
It wasn’t until the gentle, perfect beauty of September 12 that the effects of what had happened became reality for me. Not only do I live very near Pittsburgh International Airport, I am also at the intersection of two interstates right outside of Pittsburgh and hear the noises of all this traffic every day, especially in the morning. The next day, with travel restricted on land and in the air, was so eerily quiet. The beauty of the warm sun and clear blue sky, the peaceful twitters of birds and hum of bees we could rarely hear with traffic and daily noises, the clear views of the tree-covered hills made the morning seem like paradise at first, as if everything would be okay after all. But the clear stillness became unnerving as the hours of daylight passed and we had no more of our questions answered, nor knew the extent of the damage and death as it was still unfolding in all three areas.
Perhaps those perfect September days were given to calm us before we learned how our lives had changed.
September 12
Today looks no different from yesterday but forever against the backdrop of a blue September sky we will now remember the loss of our innocence.
September 11 was a blur of images and fears and unknowns, and for me it wasn’t until September 12 dawned and brightened into another seemingly perfect September day, blue sky and all, that what had happened, and the permanent change it brought, really settled in.
Alfons J Kazmarski, Army of the United States Technician Fourth Grade, 115th Quartermaster Bakery Company, Asiatic Pacific Theater, India, enlisted 11 May 1942, discharged 21 Mar 1946.
My father and I were in the kitchen of the house where I grew up one morning in 1987, having a nice conversation. This was not a typical event because I’d never had a substantial conversation with my father before that, nothing more than one-word answers or brief sentences.
I don’t remember exactly what we talked about, but I think it was just chit chat, something about the weather, maybe a news story or something. Winter morning sun streamed through the windows over the table and in the back door and diffused through the white sheers on the dining room window in the tiny ranch house as we stood there exchanging words. He spoke with some animation, responding to what I’d said, asking questions of what I thought about something.
I was 25 and don’t remember ever hearing his natural conversational voice aside from the subdued, minimal answers he gave to questions and occasional brief comments. Just a year before he had injured himself in the small bakery where he worked, a very unusual circumstance for all the years since his childhood working in the family bakery, through service in WWII and then in other family and otherwise small bakeries after the war to that point. He was treated for the injury to his hand but the wise emergency room doctors and nurses had noticed some respiratory and cognitive issues. He was diagnosed with lung cancer the day before the Challenger shuttle broke up over the watching nation of students and teachers and citizens, and I think I cried hard for that tragedy in large part because the shock of the diagnosis had just begun to wear off. The mass was right at the point where his lungs separated from his trachea and impacted both lungs. The surgery was long and difficult, but when he was healing well physically and was not returning to a full mental state they realized his cognitive issues may not have been entirely due to the cancer.
After tests and trials of a few medications doctors determined he had parkinsonism or Parkinson Syndrome, evidencing the symptoms of Parkinson’s disease like the fixed, unblinking gaze, shuffling gait, rigidity and slow movements. The cause is usually unknown but is usually induced by certain drugs or environmental toxins, head trauma or brain damage. The doctors traced it back to a nearly fatal malarial fever my father had had while serving in India in the Asian-Pacific theater of WWII that likely caused mild brain damage at the time, but may have unknowingly caused enough damage in the right areas that he slowly produced progressively less dopamine and more symptoms over a period of decades. This concurred with what others had seen—one of his Army buddies visiting said he’d never been the same after he was sick.
By the time I remember him he was the silent, stone-faced person at the dinner table, or driving the car, or sleeping on the couch before he went to work in the bakery in the middle of the night, the person holding me in the photo.
A Conversation with My Father
Apparently the current medications and treatments were somewhat effective considering his comparative ease of movement and his conversational ability. The conversation continued for a while and then he left the kitchen to talk to my mother who was in my old bedroom at her vanity getting ready to leave the house.
“She’s a really nice girl,” I heard him say. “Who is she?”
I didn’t hear my mother’s response.
My mother was getting ready to leave the house because my father was going to the hospital for tests and observation and I was there to drive them and help them through admissions. The medications and treatments had indeed loosened up his body enabling him to move and speak as he hadn’t in years, but it wasn’t consistent. His mind was quickly becoming fragmented and he was developing frequent pneumonia and had also had prostate surgery. Because he hadn’t driven since his surgery I had arrived at the house in the morning ready to take them to many appointments during the previous year.
My father would not return from this one. After an extended hospital stay it was determined that skilled nursing care was necessary to manage all his conditions.
I was the youngest. I was the first family member my father “forgot” as his mind marched backward in time through the next four years and he seemed to relive his life in reverse, slipped deeper into dementia, and lost speech entirely along with any control over his body.
Even though my father had no idea who I was, the person he was in that moment found that I was a nice person. I’ll take that. I’d discovered with my mother under medical circumstances that the person underneath the mask of lifelong undiagnosed issues sometimes surfaces with great clarity at odd moments. I got to see for just a moment who that relaxed, broadly smiling person was in a photo I found in my brother’s baby book taken just four years earlier than the still-faced photo of him holding me. And I found out where my deep dimples came from.
My father smiling and laughing, summer 1960
How many other families also lost a family member slowly over decades after military service? Some conditions are recognized for long-standing emotional aftereffects, like PTSD, and some for physical aftereffects, like Agent Orange and other chemical pollutants service members encountered during service. How many other children wondered who this person was, how many spouses wondered who was the person who came back, or who changed fundamentally years later?
On Memorial Day I listen to the stories of others whose loved one died in service, that horrible reality. I also remember my father whose life was fundamentally changed, and the aftereffects on the group of us, my mother, sister and brother, whose lives were very different from what they would have been otherwise.
~~~
Read an essay about the photo of that smiling man, Father’s Day.
This year the message on Martin Luther King Jr.’s birthday is to not celebrate, but activate. Take an activist role in achieving his dream of equality and justice for all, for righting the historic wrongs done to black people as well as the wrongs still done today, and most of all to pass laws to ensure the right to vote.
Equality in opportunity of all sorts and inclusion in society’s processes is still not achieved if we look around us, recognize the portion of the local population that is black or non-white, and see that they are not represented in anywhere near the numbers they should be to truly be included in decision-making anywhere, in government, in business, even in individual workplaces.
One of those areas where black representation is deficient is animal welfare. In leadership positions at shelters and humane organizations of all sizes, the representation, or lack thereof, is embarrassing. Yet about a century ago black people were leaders in the nascent animal welfare world in this country, even as they worked for the welfare of their own people in the era of segregation and Jim Crow, often at risk to their own lives. Coming around to today and studying the history of animal welfare, we don’t see those pioneers. They are barely mentioned, removed from the stories, just as their accomplishments and their selves were removed from the history of societal changes in this country.
This is an excerpt of an essay I published on The Creative Cat in honor of Martin Luther King Day. Please visit The Creative Cat to read the rest of the essay: Living Up to The Dream
I don’t want to be
colorblind,
I want to paint
what I see,
the colors of our faces
like flowers,
not different
but tones of each others’
faces
as we turn toward the light,
we blend so beautifully.
The illustration above is a sampler of all the shades of pastel I’ve used while painting portraits and sketches of people of all different “colors”, skin tones and ethnicities. All of them appear in all skin tones. Tell me, who is “black” and who is “white”? And what does “colored” mean?
In truth, we are all “colored”. Each of our faces has the darkest and lightest tones and all those in between, and even some colors we’d be surprised to find in skin tones. I can tell you that all the colors I smudged there have appeared in the highlights and shadows and mid-tones of every face. It largely depends on where you are standing in relation to the light.
Some people have suggested that Dr. Martin Luther King, Jr.’s dream of black children and white children going forward hand in hand, the ideal of seeing a person not for the color of their skin but for the content of their character, had the goal of a “colorblind” society. That’s a noble ideal on one hand, where we just don’t notice the color of a person’s skin in any situation and go on from there.
But does that truly bring justice to wrongdoing and change society in a way that makes the injustice people have suffered because of that color unacceptable? To suddenly begin to ignore the color of a person’s skin and jump immediately to integration is to jump right over the injustices done to people because of the color of their skin. It’s also ignoring an essential part of another person, shutting the door on a section of their life, a part that makes them distinctive. King did not use the term “colorblind” in any speech or written document, but his point is described by historians as a more “color aware” society where we recognize our differences, celebrate them and thereby heal through those very differences among ourselves.
When I create a piece of visual artwork I look for what makes the subject inspiring to me, what makes it distinctive, what makes me excited to share it with you. I like contrasts, I find what makes my subject different in its class, what makes it stand out from its surroundings. It’s my joy to find and share “the extraordinary in the ordinary”. If everything I painted looked the same, what need would there be for artwork?
Looking at people has always been like looking at a field of flowers for me—I find it hard to settle on one before I skip to another while I enjoy the visually exciting effect of all those different colors and shapes and heights and structures. Then I can can pause on each one and get to know each in its own unique detail.
When I rode the bus, long before I painted anything let alone a human portrait, I quietly studied all the faces around me for color and shape and texture, eye color, the hair that framed it, accessories and jewelry, and was often started by a stern expression of someone who didn’t understand why I studied them so intently. I was just looking for the things that made them unique and beautiful—not in the classic sense of beauty but in the classical sense, in that beauty is truth, in being true to who we are inside showing that on the outside, like the flower in the field that can’t help but be what it is.
If we are colorblind, we intentionally ignore some of the fundamental differences that make each of us irreplaceable. That denies a basic part of our personal existence and of human existence as a species; it denies a portion of our very identity as an individual.
That takes an awful lot of effort. Why not admit to our differences and get to know each other in full, and find the beauty in each of us. We have always been and will always be different from each other and might as well get used to it.
The mornings this September have had that particular autumnal cool with a little mist and I thought the spell might have been broken. But the morning this September 11 is sunny, blue, and warm, and eerily quiet, so much like that morning 20 years ago.
September 11
Aside from being in the mid-Atlantic region of the United States, I am nowhere near New York or Washington DC. I am, however, barely an hour away from Shanksville. On the hot sunny morning of September 11, 2001, I was just finishing work outdoors in my back yard when I heard on the radio that a plane had the North Tower of the World Trade Center. Thinking it was an unfortunate accident I continued listening to the radio for details and 20 minutes later heard that a second plane had hit the South Tower and knew instinctively, as I’m sure we all did, that it was no accident.
My radar for tragedy was sensitized; just a few months before my mother had unexpectedly nearly died after lung cancer surgery, held on for six weeks then miraculously awakened from a near-coma one day and gone on to recover, rehabilitate and return home, though weak and fragile, needing my constant support. The previous year my brother had suffered a traumatic brain injury in an accident and at that time lived in a nursing home 30 miles away. I was integral to their recoveries and care and was legal guardian and power of attorney, and my carefully-planned self-employment was unraveling.
When I heard the news, I was out on my garden patio by the basement door, putting another coat of paint on some vintage wooden chairs I used on my deck before winter would peel the last of it off. Garden cat Moses was dozing on the warm bricks, soaking in the sun, the tip of her tail gently tapping the bricks in contentment. I always worked in my garden and did small projects early in the day to make sure they got done before I hit my computer, and to make sure I didn’t hit the computer as soon as I got up and stayed on it all day long. It was a hot, sticky late summer morning, my verdant garden a green jungle, birds twittering everywhere stocking up for migration and winter, and work waiting for me indoors. The first report that it was likely an accident, planes had hit buildings in the past, staved off some worry. Then the second plane hit when everyone in Manhattan was looking at the towers and saw the direction, the turn, the increase in speed prior to hitting the tower, and suddenly a perfect morning had turned unreal.
Jets fly overhead all the time. I have lived in the flight path for Pittsburgh International Airport all my life, and just as close to an Air Force base, and not only do they fly overhead, they circle and slow down and make noise and fly at crazy angles as they come in for a landing. A noisy plane flying low overhead is something I didn’t even notice. But two planes had just hit the two towers of the World Trade Center and a third had hit the Pentagon. I suddenly noticed that the sky was very quiet for that time of the morning.
After the plane hit the Pentagon, I put Moses inside the basement, much to her consternation, as if she needed to be protected from what might be happening, and I suddenly felt exposed under the clarity of that blue sky. As the story grew I thought of my mother and brother and if I should get them and put them somewhere just to make sure they were safe too. Everything seemed suddenly slightly askew.
Then in the increasing quiet as traffic cleared the roads, in that empty perfect clear blue September sky, a single plane went overhead and my hackles rose, a cold tingle running to my fingers on that warm morning as I watched it seeming to struggle through the sky overhead. Shortly thereafter we heard about the crash in Shanksville and I imagined the comforting familiarity of perfect green rolling hills of my Western Pennsylvania home bathed in morning sun, now wrenched open and strewn with the wreckage of violence.
I hurried inside, no longer feeling safe under that warm blue sky. I thought of my mother in her home about a mile and a half away, still weak and needing daily assistance for most activities, many prescriptions and home oxygen. If all this was suddenly disrupted, what would I do? Should I go to her house now? Should I try to get her to a more secure place, like a hospital?
And my brother in the nursing home 30 miles north of me, continuing his recovery from a traumatic brain injury the previous year, also requiring a lot of daily care, medications and supervision. Should I try to move him closer? What if I couldn’t get to him?
And my sister a few miles away with her younger daughter and grandchild? And my niece and her three babies, one of them just six days old, a few miles in the other direction? Should we all find a place to go?
Anyone else would have run for the television, but I didn’t have one then, and I don’t have one now, so I never got to see the very first images that showed up on CNN that morning, heard the fear in the newscasters’ voices. I listened to the familiar voices of the local and NPR reporters describing the events on my radio, feeling calmer listening to their words and being able to move around my house than I would have being trapped in front of a television. I called my mother and later went to her house and watched there.
Did any of us know what to do in those first hours and days, even those of us so far from the terrible scenes of death and destruction more horrible than we could imagine?
It wasn’t until the gentle, perfect beauty of September 12 that the effects of what had happened became reality for me. Not only do I live very near Pittsburgh International Airport, I am also at the intersection of two interstates right outside of Pittsburgh and hear the noises of all this traffic every day, especially in the morning. The next day, with travel restricted on land and in the air, was so eerily quiet. The beauty of the warm sun and clear blue sky, the peaceful twitters of birds and hum of bees we could rarely hear with traffic and daily noises, the clear views of the tree-covered hills made the morning seem like paradise at first, as if everything would be okay after all. But the clear stillness became unnerving as the hours of daylight passed and we had no more of our questions answered, nor knew the extent of the damage and death as it was still unfolding in all three areas.
Perhaps those perfect September days were given to calm us before we learned how our lives had changed.
September 12
Today looks no different from yesterday but forever against the backdrop of a blue September sky we will now remember the loss of our innocence.
September 11 was a blur of images and fears and unknowns, and for me it wasn’t until September 12 dawned and brightened into another seemingly perfect September day, blue sky and all, that what had happened, and the permanent change it brought, really settled in.
I loaded a roll of black and white film into my old Pentax K1000 and headed out to walk to the grocery store, bringing back images from around my neighborhood along with my groceries.
Though this is a photo essay I also describe the process and reason for taking my camera on mundane walks to find extraordinary things, including story and poetry ideas. In fact, there will be at least one story out of this walk, and it’s in there among the photos. I can’t wait to see where it starts and where it goes!
One of the reasons for using black and white film is that removing the distraction of color permits other interesting elements to shine and become the story, and using film slows me down, makes me think a little harder about using one more frame on this roll. When I’m out with my digital DSLR I just let go and photograph anything I darned well please, and I need to do that too, let go and just be part of the scene and record it as I feel it.
But sometimes, just as with writing, to get to the core of something, you need to slow down, tighten up and focus, search yourself and funnel down to exactly what it is you want to say. Going “old school” with black and white film in the old (but still beloved) Pentax K1000 is like writing your stuff on a tablet with your favorite writing implement: pencil, ballpoint pen, marker, fountain pen. I love my gel pen on a legal pad, but when a poem comes along any scrap of writable material and any writing implement will do for a draft.
I don’t want to be
colorblind,
I want to paint
what I see,
the colors of our faces
like flowers,
not different
but tones of each others’
faces
as we turn toward the light,
we blend so beautifully.
The illustration above is a sampler of all the shades of pastel I’ve used while painting portraits and sketches of people of all different “colors”, skin tones and ethnicities. Tell me, who is “black” and who is “white”? And what does “colored” mean?
In truth, we are all “colored”. Each of our faces has the darkest and lightest tones and all those in between, and even some colors we’d be surprised to find in skin tones. I can tell you that all the colors I smudged there have appeared in the highlights and shadows and mid-tones of every face. It largely depends on where you are standing in relation to the light.
Some people have suggested that Dr. Martin Luther King, Jr.’s dream of black children and white children going forward hand in hand, the ideal of seeing a person not for the color of their skin but for the content of their character, had the goal of a “colorblind” society. That’s a noble ideal on one hand, where we just don’t notice the color of a person’s skin in any situation and go on from there.
But does that truly bring justice to wrongdoing and change society in a way that makes the injustice people have suffered because of that color unacceptable? To suddenly begin to ignore the color of a person’s skin and jump immediately to integration is to jump right over the injustices done to people because of the color of their skin. It’s also ignoring an essential part of another person, shutting the door on a section of their life, a part that makes them distinctive. King did not use the term “colorblind” in any speech or written document, but his point is described by historians as a more “color aware” society where we recognize our differences, celebrate them and thereby heal through those very differences among ourselves.
When I create a piece of visual artwork I look for what makes the subject inspiring to me, what makes it distinctive, what makes me excited to share it with you. I like contrasts, I find what makes my subject different in its class, what makes it stand out from its surroundings. It’s my joy to find and share “the extraordinary in the ordinary”. If everything I painted looked the same, what need would there be for artwork?
Looking at people has always been like looking at a field of flowers for me—I find it hard to settle on one before I skip to another while I enjoy the visually exciting effect of all those different colors and shapes and heights and structures. Then I can can pause on each one and get to know each in its own unique detail.
When I rode the bus, long before I painted anything let alone a human portrait, I quietly studied all the faces around me for color and shape and texture, eye color, the hair that framed it, accessories and jewelry, and was often started by a stern expression of someone who didn’t understand why I studied them so intently. I was just looking for the things that made them unique and beautiful—not in the classic sense of beauty but in the classical sense, in that beauty is truth, in being true to who we are inside showing that on the outside, like the flower in the field that can’t help but be what it is.
If we are colorblind, we intentionally ignore some of the fundamental differences that make each of us irreplaceable. That denies a basic part of our personal existence and of human existence as a species; it denies a portion of our very identity as an individual.
That takes an awful lot of effort. Why not admit to our differences and get to know each other in full, and find the beauty in each of us. We have always been and will always be different from each other and might as well get used to it.
The mornings this September have had that particular autumnal cool with a little mist and I thought the spell might have been broken. But the morning this September 11 is sunny, blue, and hot, and eerily quiet, so much like that morning 18 years ago.
September 11
Aside from being in the mid-Atlantic region of the United States, I am nowhere near New York or Washington DC. I am, however, barely an hour away from Shanksville. On the hot sunny morning of September 11, 2001 I was just finishing work outdoors in my back yard when the first plane hit the North Tower of the World Trade Center. Thinking it was an unfortunate accident I continued listening to the radio for details and 20 minutes later heard that a second plane had hit the South Tower and knew instinctively, as I’m sure we all did, that it was no accident.
My radar for tragedy was sensitized; just a few months before my mother had unexpectedly nearly died after lung cancer surgery, held on for six weeks then miraculously awakened from a near-coma one day and gone on to recover, rehabilitate and return home, though weak and fragile. The previous year my brother had suffered a traumatic brain injury in an accident. I was integral to their recoveries and care, and my carefully-planned self-employment was unraveling.
When I heard the news just before 9:00 a.m. that a plane had hit the World Trade Center, I was out on my garden patio by the basement door, putting another coat of paint on some vintage wooden chairs I used on my deck before winter would peel the last of it off. I always worked in my garden and did small projects early in the day to make sure they got done before I hit my computer, and to make sure I didn’t hit the computer as soon as I got up and stayed on it all day long. It was a hot, sticky late summer morning, my verdant garden a green jungle, birds twittering everywhere stocking up for migration and winter, and work waiting for me indoors. The first report was that it was likely an accident, planes had hit buildings in the past. Then the second plane hit the other tower, and even though we had no proof it seems we all knew it was intentional. Everyone in Manhattan was looking at the towers at that point and saw the direction, the turn, the increase in speed prior to hitting the tower, and suddenly a perfect morning had turned unreal.
After the plane hit the Pentagon, I put Moses, my garden cat, inside the basement, much to her consternation, as if she needed to be protected from what might be happening, and as the story grew I thought of my mother and brother and if I should get them and put them somewhere just to make sure they were safe too. Everything seemed suddenly slightly askew.
Jets fly overhead all the time. I have lived in the flight path for Pittsburgh International Airport all my life, and just as close to an Air Force base, and not only do they fly overhead, they circle and slow down and make noise and fly at crazy angles as they come in for a landing. A noisy plane flying low overhead is something I didn’t even notice. But two planes had just hit the two towers of the World Trade Center and a third had hit the Pentagon. I suddenly noticed that the sky was very quiet for that time of the morning.
Then in the growing quiet as traffic cleared the roads, in that empty perfect clear blue September sky, a single plane went overhead and my hackles rose, a cold tingle running to my fingers on that warm morning as I watched it seeming to struggle through the sky overhead. Shortly thereafter we heard about the crash in Shanksville and I imagined the comforting familiarity of perfect green rolling hills of my Western Pennsylvania home bathed in morning sun, now wrenched open and strewn with the wreckage of violence.
I hurried inside, no longer feeling safe under that warm blue sky. I thought of my mother in her home about a mile and a half away, just back from several months in various hospitals after lung cancer surgery that unexpectedly nearly killed her. She was still weak and needed daily assistance for most activities, many prescriptions and home oxygen. If all this was suddenly disrupted, what would I do? Should I go to her house now? Should I try to get her to a more secure place, like a hospital?
And my brother was in a nursing home 30 miles north of me, continuing his recovery from a traumatic brain injury the previous year, also requiring a lot of daily care, medications and supervision. Should I try to move him closer? What if I couldn’t get to him?
And my sister a few miles away with her younger daughter and grandchild? And my niece and her three babies, one of them just six days old, a few miles in the other direction? Should we all find a place to go?
Anyone else would have run for the television, but I didn’t have one then, and I don’t have one now, so I never got to see the very first images that showed up on CNN that morning, heard the fear in the newscasters’ voices. I listened to the familiar voices of the local and NPR reporters describing the events on my radio, feeling calmer listening to their words and being able to move around my house than I would have being trapped in front of a television. I called my mother and later went to her house and watched there.
Did any of us know what to do in those first hours and days, even those of us so far from the terrible scenes of death and destruction more horrible than we could imagine?
It wasn’t until the gentle, perfect beauty of September 12 that the effects of what had happened became reality for me. Not only do I live very near Pittsburgh International Airport, I am also at the intersection of two interstates right outside of Pittsburgh and hear the noises of all this traffic every day, especially in the morning. The next day, with travel restricted on land and in the air, was so eerily quiet. The beauty of the warm sun and clear blue sky, the peaceful twitters of birds and hum of bees we could rarely hear with traffic and daily noises, the clear views of the tree-covered hills made the morning seem like paradise at first, as if everything would be okay after all. But the clear stillness became unnerving as the hours of daylight passed and we had no more of our questions answered, nor knew the extent of the damage and death as it was still unfolding in all three areas.
Perhaps those perfect September days were given to calm us before we learned how our lives had changed.
September 12
Today looks no different from yesterday but forever against the backdrop of a blue September sky we will now remember the loss of our innocence.
September 11 was a blur of images and fears and unknowns, and for me it wasn’t until September 12 dawned and brightened into another seemingly perfect September day, blue sky and all, that what had happened, and the permanent change it brought, really settled in.
