I moved the furniture around in my bedroom yesterday to better accommodate the overflow from my studio while still giving me space to walk in both rooms. I’ve also realized that, with my guardian tree gone from the front of the house, I no longer want to sleep under the window where I can hear her whisper on summer mornings and watch the stars held in her branches on cold winter nights. This is something I’ve wanted to do for months and can finally accomplish, slowly and carefully, with my hip healing more each day.
A parade of surprised felines joined me in the evening as they awoke from their extra-long afternoon naps on a cold rainy day. As I took a break to let them explore the mess I’d made I picked up a small book that had fallen on the floor behind a bookcase I had moved, The Oxford Book of English Verse. A digest of oft-quoted poetry I’d picked up somewhere and tucked in a random small space wherever it fit and forgot about, I had never actually read through it because I’ve already read just about every poem likely contained in it. I have several dozen small and large books of poetry but can’t seem to pass one up, especially free in the library’s shelf of donated books.
I held it in my right hand and slid my thumbnail between the gold-tinged edges of the pages, letting it fall open to see what arbitrary verse I’d find.
By Samuel Taylor Coleridge
Or, a vision in a dream. A Fragment.
In Xanadu did Kubla Khan
A stately pleasure-dome decree:…
…the poem for which, as a junior in college majoring in English, I’d named Kublai, my first black cat, back in 1981. Not because of his bravery in battle and exploration though this was true of him, but what cat doesn’t look around and decree this space to be a stately pleasure-dome for himself? Of course, the poem lists human pleasures, which bring no real pleasures to cats, so I stopped there.
I looked at the multitude of black cats walking over the tops of piled clothing, exploring cardboard boxes full of picture frames and having a quick bath in cool new spots they’d discovered. Twenty-nine years ago I moved into this house, and Kublai came with me in the weeks before I moved in while I repaired and patched and readied it for me and my household of six felines, my first rescues. October will always remind me of that time, first the bright empty rooms with him as we felt the potential of our own home, then with boxes piled in every room as I’d moved from a rented house twice the size, and that family of felines climbing over and creeping around them, finding cool places to have a quick bath to relieve the stress of the change.
I also remember another October overhaul of this room, in 1997 preparing for Namir and Kelly’s arrival when I’d found several black whiskers in the carpet I pulled up prior to painting the floor. Only Kublai had had black whiskers, and as that family of cats swirled around me as I worked I paused to remember, the grief still fresh just a year past.
Those cats are gone, of course, as are many others come and gone who spent their lives with us in this little house. The memories are bright but the moment is bittersweet because I know that at some later date I will stand somewhere in reflection and all these felines I now watch will be memories in that future moment. I am reminded to be in this moment with them, but not frightened of that future moment:
This thou perceiv’st, which makes thy love more strong,
To love that well, which thou must leave ‘ere long.
From Shakespeare’s seventy-third sonnet, speaking to his love the truth that while we see the loss of those we love even as we look into their eyes with love, that very knowledge of loss makes our love even stronger, to realize the love in each moment before it’s gone.
Perhaps I picked up that free book just to find it in this particular moment and have it fall open to that exact poem and remind me of this lineage of memory, little fragments that become a whole, the lives of all these individual cats and their roles in my life, my role in their lives, and that role of mine in life itself, in the world around me. I’m not one to think everything happens for a reason, that things align through time to lead one to an epiphany of some sort, but that we are the ones who choose that alignment in the moment, and a moment later, or a different poem in that book, could lead to an entirely different epiphany.
But beside the loss and potential loss each of those fragments represents, and the associated pain thereof, is a moment of love and beauty, then, now, and tomorrow, that we hold and have shared, forever a part of our spirit. We are made of these fragments.
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