The sun shines at full volume on the brick street,
The American Legion has equipped everyone with a small American flag on a stick;
Children race around waving their flags
While adults carefully hold their flags,
Mill around looking for a good place to open folding chairs
Waiting for the parade to start.
Politicians roll by in fancy cars and fat shriners on tiny little cycles,
Floats from the Viet Nam War and the VFW,
Cheerleaders and dancers and a polka band
Police bagpipers and Civil War re-enactors and Marines,
Color guards from organizations we’ve never heard of,
Music and car horns and loudspeakers blending into each other as they pass,
Fire trucks, police cars, ambulances from every community around
And we wave and cheer for each of them,
Glad to know that there is someone who will risk their lives for us
on all these levels.
For some reason I always get choked up when I see
The high school marching band,
So seriously playing some arrangement they’d never otherwise listen to
And have spent months learning to play on their instrument,
Marching together in nearly perfect alignment,
Soon to take their places in a bigger parade.
Even though Memorial Day was founded to memorialize the losses of the Civil War, it came to be an important day of remembrance for our losses in successive wars as conflicts came nearly every other decade in the century following.
My parents’ generation called Memorial Day “Decoration Day”. It was the weekend to clear away the weeds, trim the grass, and spend time in the cemetery, and the graves of family members were decorated with wreaths and flags and freshly planted flowers, veterans or not. I’m not sure how it had lost the origin for them of remembering those who had died in service to their country but perhaps it had been the European tradition carried on in this country. For me it was a day to think about the grandparents whose difficult lives were over before I could remember them, and think about my parents as children.
I’m not one for parades, but I took my mother to the parades in our town for years, as well as my brother. I amused myself by taking photos of what everyone else was doing, memorializing their actions and reactions of the day.
The wounds of trauma,
the sin of killing,
the witness of unspeakable acts
against the bodies and minds of others
the leaving behind of others held more dear than lovers
another world, all too real,
all came home in the duffel
unpacked into the house
worn like unwanted medals
that could not be removed
but with your hands you made this lasting monument
to prove to yourself you could still build, create, give
to start your new life,
not the one you left behind.
Several poems I’ve written are about or refer to things that I’d…found in the trash, and the stories they told me, mixed with the experiences of my own life.
Many homes around town had been owned and occupied by only one family from the 1930s or 1940s to today, and contain a lot of things people kept for various reasons, things that tell a story about life in that house, and the eras the house was occupied, typical of Carnegie and towns like it.
The Cabinet is so named for a cabinet I saw one evening out of the corner of my eye as I hurried off through my day. The cabinet looked to be in good shape, the drawers stacked on top, and I’d take it just to look it over, maybe I’d stop later, maybe I could pass on this one, but then I saw the little scalloped and curved decoration at the bottom. It reminded me of things around the house my father had made of wood that had just such decorations: awnings outdoors, cornices above the drapes, room dividers in our little post-war ranch house. My mother had designed the idea, my father had designed the item and made it by hand.
My errand on that evening was my daily visit to my mother in a critical care hospital. She’d had lung cancer surgery two months previous but her hypertension had caused her to unexpectedly slip into a state of dementia from which she was not expected to recover. I visited her twice each day, about mid-day and evening, and I knew I did not need to take on a stray wooden cabinet. Driving through the evening to see her the cabinet had led me to remember those projects the two had created before I was born, that I saw in the house each day when I stopped to pick up the mail and check things over; if her recovery had been as normal, she would have been back in the house, but this strange netherworld of waiting, and the quiet calm of the house with no one in it followed me as well.
So of course I swung past that cabinet on the way home from my visit to my mother, took a closer look and saw that indeed it was a sturdy cabinet, handmade with a birch wood top and red Bakelite handles very common and popular just after WWII, all the drawers were solid, and I crouched down to run my finger along that simple decorative curve, the only decoration at all added to the bottom to span from foot to foot of the cabinet just below the door with the thumb latch that held it closed.
So I struggled to fit it all into my little wagon and drive about a half mile home with the wagon door open, unloaded it and carried it into my basement for inspection. The paint was older, that shade of warm white that older oil-based paint became after years of sitting on the surface. The birch wood top was partially covered with real “linoleum” in a distinctly late-40s pattern, faded, dirty from probably motor oil, and more than half scraped away.
My parents lives had been marked by WWII, and all the indications that this had been made or at least updated at that time were pulling on those stories. My father had served in the Asia-Pacific theater from 1942 to 1945 and come home not knowing he had developed Parkinson Syndrome from a malarial fever that had nearly killed him. My mother had graduated high school in 1942, and all her memories of late high school, her early working career and life as a young adult were bound up in the American homefront experience during the war. I only heard the good stories, but in time I determined there was much sadness and pain underneath the shiny surfaces.
As I walked around the back of the cabinet, a single bare, unpainted panel darkened by age, I saw handwriting at the top. There, in pencil, was written:
MADE BY R.O.M.
And the story began to write itself of the person who’d returned from overseas with all the pain and trauma and trying to get back to “normal” life, creating this cabinet by hand, and letting this simple creative activity help to start the healing.
The story was always intended to be a short story. My mother actually recovered and lived 10 more years though she was ill and needed constant care, and many stories never came to be during that time. I still have the cabinet in my kitchen, see it, touch it, use it every day, and had to share something of it in my own creative efforts, so I wrote the poem for my 2014 poetry reading at Andrew Carnegie Free Library & Music Hall, “In This Valley”, commemorating the 110th anniversary of the merge and founding of the town of Carnegie because my parents were so much of this town, and the town itself, like so many others, was marked by that war. I read it again in my recent reading, “Walking Around”, because this finding and the inspiration for my own creation perfectly illustrate things you find when you carefully observe your surroundings, and how things we need sometimes magically appear when we need them.
I have not matched anyone from our town’s history with those initials—yet, but I hope to find a clue someday. But for the story it told me, lending its own magic to my memories and experiences, this will always be the tale.