I’ve been organizing my art exhibits on my gallery and merchandise website Portraits of Animals. I’d intended to also include my November 2017 poetry reading “Walking Around” but couldn’t decided exactly where to add it, on that site or this one. I’d also wanted to record myself during the reading so that I could share that too; failing that I wanted to record the poems and essays.
Well, I didn’t get to either one. But for the anniversary of the event I thought I’d at least share the art and words I shared on that night. The theme was the things I found just walking around in my familiar space; inspiration can be found anywhere. Also, so close to Veterans Day and Carnegie having delivered up so many residents to conflicts over the years, part of the theme was dedicated to veterans and where they are found just in everyday life.
Below is the introductory information for the event, and below that is a link to the exhibit Portraits of Animals including all the essays and poetry and galleries of images. Please enjoy reading through it.
Walking Around: Poetry, Photos and Paintings of Carnegie
November 2, 2017, 7:00 p.m.
Andrew Carnegie Free Library & Music Hall
Observations and findings from walks around Carnegie, finding insights in everyday things and events, the extraordinary in the ordinary, including a poetry reading and exhibit of photos and paintings.
It’s been a while since I had the chance to have a poetry reading, and I’ve always included my art and photography because all those inspirations come from the same place. The most amazing things and thoughts can be found just walking around in your own back yard, literally or metaphorically. I’m expanding the boundaries beyond Carnegie’s outline to the surrounding communities and areas along Chartiers Creek.
I read a couple of essays and a dozen poems, each one with a narrative about it, in a room where I’d hung art and photographs inspired by those walks. The poems I read were inspired by my neighborhood and neighborhoods around me, events, and details of daily life in a small town, and the thoughts I’m led to from that starting point. The essays and poetry below are followed by galleries of the artwork and photos, below…
I paddled the canoe around the bend,
and was faced with the effortless beauty of the panorama,
the trees in all their colors, the sky with changing clouds,
the water moving and reflecting simultaneously,
all perfectly arranged,
I realized that my creations are but raindrops in a puddle,
wisps of cloud that change and dissipate
my solitary accomplishments borne of great effort
would never equal this one solitary scene
or the one I would have seen the day before or the day after
evolved on its own, no one to frame it and display it and promote it
as it quietly exists through the day.
We humans sometimes get to think everything happens because of us
but these trees and grasses and hills arrange themselves
and create great beauty effortlessly
simply in the process of their everyday existence.
So I did a painting that can never match the original
so that I may remember my place.
Sloping hills blaze with autumn color at a rocky, rippled bend in Chartiers Creek, yet on the horizon deep gray-purple clouds hover; although the day was sunny I remember it being distinctly chilly with a sharpness to the breeze, especially on the water in a canoe, and winter is literally on the horizon.
For two reasons the scene was reminiscent and inspiring: first, that I rounded the bend to see this natural splendor in all its detail, brilliant color, fluttering leaves, rippling water, changing clouds, happening all on its own with no help from me or any other human ; and, second, it was an example of that “change of season” with the gray-purple clouds of winter arriving on the horizon, two seasons blending into one another. I needed to share this image, and it was so moving that the inspiration also became a poem, and the title for my third annual poetry reading and art show at Andrew Carnegie Free Library & Music Hall, Change of Season.
And again, no, I couldn’t paint while paddling, and my little digital photos didn’t do the scene justice, yet other than wading down the creek and setting up an easel in the middle of the water, there was no other way of painting this. To take the scene from the tiny digital image to the full-size painting took a good bit of memory and visualization; it’s a good thing I’m very familiar with scenes like this. I don’t often work at this level of detail, especially at this size, but in order to share what I took from this moment, I found myself worker ever deeper into the minutiae of the scene so that others, viewing it, could hear the light lapping of the water, watch the clouds move, feel the warm sun on your back but the chill wind on your face, and the glory of those tree-covered hills.
You really have to get into “the zone”, though, while working at that level on the painting, letting go of your space, yourself, to get back to that moment and all your perceptions from that time. I still go there when I look at the original, which was purchased and made a gift to Andrew Carnegie Free Library & Music Hall and hangs in the Reception Hall.
In the mini-ecosystem in the valley along Chartiers Creek, the color show begins a little later and the trees keep their leaves a little longer, perhaps because of the extra humidity along the water through the dry heat of late summer. The diversity of species is generally much greater in both the trees and the understory brush and grasses, which encourages a greater diversity of foliage color and shape. When the show begins, it’s absolutely breathtaking and it gets more stunning every day until a November storm rips the last of the leaves away.
This area of the creek is approximately below Rosslyn Farms, between Carnegie and Crafton. In this area, the creek’s channel was widened and dredged deeper and the banks made more sloping through the Fulton Flood Control Project, allowing all the runoff from upstream communities to flow ever faster down the valley to the Ohio River without overflowing the banks or backing up into Carnegie, as had happened prior to the Project. Also, many of the trees were removed from the banks up to a certain level. Still, even with that modification, the channel remains beautiful and inviting in this lovely and unseen area of Chartiers Creek.
I actually wrote a poem about the scene before I did the painting, so inspiring was that particular moment.
Bright yellow sunflowers are for sale in the grocery store.
A tiny woman bent over her cart can’t reach the cheese she wants on a shelf above her head. A middle-aged man in shorts and a tank top holding a loaf of bread veers off his course, easily reaches to get it, drops it in her cart, they smile and he continues on.
The clerk and her customer are trying out each others’ native languages mixed with their own and giggling at the outcome.
A very pregnant woman in a sari tries to lean over her cart to organize her groceries, her thick dark braid bound around with glittering gems; her daughter clutches the wire edge and her liquid brown eyes look up to search her mother’s face.
A young man tells the person behind him in line he’s happy with the toaster, he can afford it and carry it home to his new apartment on his bike.
An older man in shorts and a plaid shirt is assuring another man similarly dressed that if his wife sent him for naan, this was the stuff.
One late summer morning in the grocery store I was surrounded by peace and love, nothing historic, just the everyday interactions among strangers that are so beautiful. The photo of the sunflowers is the very one that I took that morning while standing in line, which inspired me to record it all and write a poem.
I read this at my poetry reading, “Walking Around”, last November. I just realized I never shared the entire reading anywhere, so I’ll hope to do that for the anniversary this year.
I thought Cookie
was being stubborn, contrary,
when she wandered away
into the overgrown garden
sauntering at her own pace beneath the stems
of fallen burdock and grasses
and through the forest
of tall goldenrod and asters
where I couldn’t follow.
She sat calmly among grasses and blooming beggar’s ticks
and when I arrived at her side, irritated,
skirt prickly with stickseed and burdock pods,
I reached to pick her up, bad girl,
and turned to see what she studied,
and saw my garden awash with sun
majestic tufts of goldenrod backlit by beams of light
humming with hungry bees finding
the sweetest autumn nectar for their final meal,
white poofs of sow thistle holy in their radiance,
and the first calico asters, my favorite
dappled with passing drops of sun
against the backdrop of dark silhouetted trees;
so much to love in a sweet autumn morning
so much I would have missed.
Cookie gave me many gifts in all the years she was with me, including the visual discoveries from this particular morning in September 2011 which led to a poem and insights beyond what I wrote that morning, and remembering that morning and other mornings I came to the end of a stage.
I have also recorded this poem with a slideshow of photos. You can listen and watch it here or on YouTube.
Memories From That Time
My sincerest wish as I remember Cookie is that all of you who read what I write, each of you who has a relationship with one or more animals, that your relationship is as deep, complex, satisfying and, if your species or breed allows it, as long-lasting as was Cookie’s and mine. I could never feel that I have any regrets, that Cookie and I “missed” anything but we lived as full a life as a human and cat could do. It depends on many things often beyond our control, but I wish those things for everyone who loves an animal, now and always.
I first published this poem on September 26, 2011, right after I wrote it, inspired by a morning much like today, and these September mornings with Mimi and her explorations have reminded me very much of those mornings with Cookie, when we knew her time was finite. We had been together at that time 19 years, and it was a wonderful 19 years of memories.
Shortly after I lost Cookie in February 2012, to honor her I followed through with my idea of recording some of my poems along with slideshows of photos and art. Below is the text I had included with this poem when I first published it with the recorded version.
The last weeks have been working through a series of “never agains” as I remember and let go of the unique things Cookie did—stepping into a warmed pasta bowl while my back was turned; quietly climbing her way into any spot in the house despite her disabilities; loving every cat who was in the house when she came here and all the ones who came after; greeting everyone at the door with sincerity and making them feel welcome.
I have also been resuming everyday activities I had been intentionally avoiding somewhat or completely, those that Cookie and I enjoyed together and I now do alone or without her—sitting in the kitchen after dinner to crochet or read with all the cats around, where you see so many photos of her interacting with my crochet materials; visiting the deck and back yard each morning regardless of weather to feed the birds, drink coffee and take photos; and gardening, from starting the seeds in the basement to getting dirty out in the soil.
Much to the joy of the household, I’ve begun to take a break after dinner again so everyone can walk on me and test my crochet projects. Until yesterday I totally avoided my deck except for the first few days in February when Mimi joined me, only filling the feeder outside my office window, and yesterday I spent my first full afternoon in the yard without a cat in many years.
And this morning I sat outside on my swing with coffee and crochet, a Sunday morning ritual whenever the weather was nice enough (nice to me and Cookie was anything above 40 degrees and no heavy precipitation) as I remembered all the years she had gone off to explore the yard then come back to climb up on my lap and have a nap, just Cookie and me doing things we enjoyed and each other, best friends.
I’ve been sharing daily photos and stories from previous years because so many more readers have found The Creative Cat in the past few months. We see a lot of Cookie from last year, including a number of photo essays of her adventures outdoors. I photographed her excessively all through the years, but the extra postings were intentional. I knew what was coming. I knew because Cookie knew, and let me know.
From January 2011, around the time my mother died when Cookie grew weak and lethargic for no apparent reason, we presumed it was because she, as usual, was carrying part of my stress. She recovered, but I saw in her expression a realization. She kept slipping back every month or so, losing a little ground in between and even having a few close calls with her kidneys, and we decided we’d treat every symptom we could and enjoy the rest of our time together.
She stole her last month, January 2012, right out of the jaws of death as after Christmas 2011 she was again lethargic and anorexic, and worst of all suddenly lost use of her hind legs, her body temperature kept dropping and her heart rate increased; her blood tests were frightening. That truly was to be the time but she fought it off, a little adjustment in medications helped but mostly it was her working very hard for just a little more time. We saw her in January looking and acting like Cookie, but I saw she had little control of her hind legs, her body temperature remained depressed, she had increasing difficulty breathing as her heart grew more enlarged and her heart rate slowly increased.
Cookie needed a little help getting started each day, but once she was going she was Cookie again, until that last day. The previous afternoon, warm for February 1, we went outside, a treat since that was usually reserved for mornings only during the week, perhaps we knew. She had no interest in exploring but got herself onto my lap as soon as I sat down, curled up and purred. We went in with the memory of that warm sunny afternoon. The next morning I had to carry her outside for the first time in her life, and as I sat with her on my lap she did not revive as usual, ready to explore even just a little, just remained curled on my lap purring.
Though it was still winter the birds were singing their spring songs, our friends the chickadees and cardinals and wrens who we’d fed and watched all winter. During a brief silence a song sparrow landed in the forsythia just a few feet away from us and sang its familiar three-note-then-warble melody several times, and I knew it was singing to us, and I knew what it meant. It was February 2, that magical cross-quarter day when winter finally begins to turn into spring, a time of transition where death falls away and new life begins. They were singing her home.
I am so grateful that I could just drop everything that day and spend her last hours with her, monitoring her condition and managing her discomfort with the advice and materials given to me by my veterinarian, sitting with her on my lap in the studio, our favorite room, ready to call my veterinarian or run her to the emergency clinic at a moment’s notice if the need arose. In the course of that last month there were many things I wanted to do for her but simply could not afford and tried not to be regretful in those last hours, thinking they would have made any difference or bought any more time; they were superfluous in her condition, and likely would only have made me feel better, not Cookie. What she wanted was me, and that I could give to her.
At 3:00 the next morning, February 3, lying next to me on the floor with all the other cats around, she opened her eyes and found my face, put her paw on my hand and held my gaze for several seconds, comforting me, thanking me and saying goodbye; she stopped breathing about an hour later.
Always with us
Loss is never made easier or less painful by any amount of experience or knowledge, but the long, slow goodbye of that last year was sweeter than words can describe. Relationships like Cookie’s and mine are rare but we who have experienced them know they never end, not even with death. Cookie has visited me in spirit, but she is always with me as well, just as she was for 19 happy years.
For two years I maintained a shop room in Carnegie Antiques owned by my friend Judi Stadler, and Cookie was my shop cat there. The shop was difficult to manage with other things at the time, and I was holding on to my shop in the last few months because of my memories there with Cookie while she was too ill to go with me, and then after she had died. On the day, at the moment, when, I regretfully and emotionally decided to close my shop and take it all home, the back door of the room lightly blew open and I felt Cookie enter, could see her hobbled little gait as she walked a circle around my feet, one of her lifetime habits, and her tilted face looking up at me half orange and half black, her green eyes with gold flecks; she was with me as I walked all around the building remembering all the places I’d seen and photographed her in the times she’d been there with me. As always, she appeared at just the right moment with her comforting and practical manner. I should only hope to meet a human with half as much wisdom and willing compassion as that little tortie cat.
We haven’t seen the last of Cookie. She will still show up in new postings of prior daily photos, and I’ve had a few paintings of or including her that I’ve been planning for a while. (And it’s true, I still feature her photos both old and ones I’ve since found in my archives, and I’ve created new merchandise with her images.)
And the passing of an animal companion like Cookie has always meant for me the coming of a time of transition and personal growth. Cookie led me to the door and opened it, it’s up to me to walk through and do something when I get there.
In the misty habit of a rainy afternoon
a single, ponderous drop of rainwater hangs tenuously from the curved tip of a leaf
holding within it the world turned upside down
and a moment later falls into eternity.
To live my life like a tree,
to grow steadily from small beginnings,
fervently when possible, and quietly adapt when necessary,
stand in peace and harmony with my neighbors,
bear my fruit appropriately,
bring shelter and comfort to others indiscriminately,
and when my season is over
graciously give my gift to the earth
for the benefit of myself and all around me,
and without fear
patiently wait for my moment to return
I came home from work one day when I still worked my day job, but was heading for working freelance at home, within the year. On my deck enjoying dinner and feeling expansive in the late summer lushness of my yard I faced my wild black cherry tree, my favorite, big, mature, graceful and beautiful in all seasons. This poem came to me line by line as I scrambled for something to write on and write with. I tweaked a few words, and included it in my very first solo art exhibit in June 2000.
Autumn has arrived as usual, and each day the colors of the season appear in new places. Here in Western Pennsylvania with our miles and miles of tree-covered hills, more brilliant reds and yellows stand among the deep olive green as if someone had stippled a single wide brush stroke here and there on the hillside, just for effect. Because I am compelled to photograph and paint these colors I know that while we see some colors even in September, the leaves don’t begin to turn in earnest, in that big wave of change, until mid-October, yet many hillsides are already halfway there. This year our warm and wet summer is said to produce a spectacular autumn leaf show.
Because I paint Western Pennsylvania, nearly every one of my landscape paintings contains a tree, usually more than one, and often the trees themselves are the subjects. I have gigabytes of photos of trees, just for the trees’ sake, not to mention ones where the trees are the supporting cast. The other day I ran an errand entirely on winding back roads so that I could drive 10 miles per hour and photograph the beauty unfolding at every turn, even if they weren’t particularly good photos; the change had come so quickly that I was completely distracted and it was either that or have someone drive me or I’d wreck my car.
This weekend many leaves have fallen, the light has changed and I see more sky through graceful or gnarled branches.
I think of the trees around me as I think of my friends, those constant presences that are more a part of us than we know. The tree that actually inspired this poem almost 20 years ago has fallen, and I sincerely miss that huge old wild black cherry tree, but she lives on in my memory.
Dedicated to the people and places of the Chartiers Valley after the flood of September 17, 2004
After a day of rain
the creek has been rising
and by night it thunders down its channel
writhing around its curves like a medieval dragon,
pulling at its banks and anything overhanging,
carrying whatever it can grasp along the way,
and I have seen this creature before
in the creek’s rise and fall,
now tamed by engineering,
filling its channel to the brim, then receding
each spring and summer
and not felt threatened but fascinated
by its power, power not of humans,
power to change absolutely to a form
unrecognizable from its usual character,
yet always returning to the quiet,
sleepy nature which I had explored from childhood.
But I am remembering another night
when the creek refused to stop at its brim
but spilled over and over and over,
thundering down all the hillsides came its sustenance
tributaries filling their valleys as never before,
rushing to join with the writhing creature,
mixing and turning and thrashing and smashing anything in its path
so drunk with its own power
that it forgot all those who loved it,
who lived on its banks and in its valleys,
listened to its soft murmuring voice in the darkness of a summer night,
but even as I pleaded with the creature to stop, it had gone too far,
my friend, my refuge, how could you betray me,
I knew that the creek would not listen,
it was no creature gone on a rampage
it was simply following its nature, and this one time
it defeated our intelligence with its simple power
and all our homes, possessions, lives
were nothing in its path.
The next day the beast no longer raged,
the sun shone and the air was mild,
and the autumn continued like any autumn before,
but we were changed, all of us,
the long journey ahead, longer than we knew
and our place here will never be the same.
On September 17, 2004, Hurricane Ivan stayed a little too long in our valley, dumping torrents of rain on our hillsides, already sodden from the visits of three other hurricane remnants in the month prior.
I’d watched Chartiers Creek flood from the time I was a child, and not only did I go to the Catholic school just blocks from the creek but my father’s family lived in the flood plain and nearly every spring there was water in the basement and in the streets, and we would drive to the bridge over the creek at Carothers Avenue and watch the thundering brown water writhe just below our feet on the walkway of the bridge.
When I was young, I was near enough to a bend in this creek to leave our house on the hill and run down through the old pasture to the valley below, along the road and the railroad tracks and to the creek, walking alongside its rippling path or even in the creek bed in the dryness of midsummer. In the late 70s an engineered solution to control the floods dredged and widened the channel, and for 35 years, there were no floods at all, the pollution in the creek from all the industries along its banks cleared up, and we watched the native flora and fauna return as we canoed the channel. Those ramblings with my friend, the creek, have been the inspiration for much of my creative efforts in landscape painting and photography, my poetry and stories, and became the theme for my series of poetry readings and the title of the very first, as well as the folio of my poetry, Paths I Have Walked.
So this flood was a huge shock. We heard later the flood control plan had protected us up to a “100-year flood”, and many of these had passed with no flooding, but the flood we’d experienced was a “500-year flood”, and indeed in all the memories and records of floods in Carnegie, the water had never been this high, rising in a matter of hours in the afternoon and into the night to fill the first floor of some homes on low ground, and as high as eight feet in some areas of Main Street, wiping out nearly every business along Main Street for up to three months.
The flood changed us all. Many people and businesses took years to recover, and some of them never truly recovered at all. My godparents lived in the family’s fine house that had weathered so many floods but floodwater had never entered the first floor, and at their age they were trapped on the second floor with no power, their portable oxygen running low. Though they were rescued and lived with a daughter for a month while we cleaned up the house for them to move back, it was temporary as they realized the house was difficult for them, and they moved to an apartment a few months later.
I first posted this as a poem-in-progress with my daily photo on my photo blog Today in July 2017 and knew I’d end up drafting a poem. I shared it here, and let it sit until it spoke to me again. Here is the finished poem.
If the sunlight illuminates a flower in the woods but no one is around to see it, is it still beautiful?
Beauty is in the eye of the beholder, but if no eye beholds it, is it still beauty?
I photographed this scene for the obliquely backlit combination of bold yellow coneflower and delicate wormwood with all the varied patterns and shades of green in the background, silhouettes, shadows, blurs and bokeh, and titled the photo “Backlit Bouquet”. But the image had more to say.
I walked along the trail as the sun set and could see as it moved that features were randomly highlighted—a cluster of leaves, a flower, the bark on a tree, and in watching the process it almost seemed intentional, as if some force or the sun itself wanted me to notice these things. As each thing was featured it did appear beautiful to me, but the one coneflower in the group that was highlighted gave me a new perspective. I would not have noticed them otherwise, and the one that was highlighted indeed seemed more beautiful than the rest because of the highlight of its graceful fall of petals, bold yellow color and soft rounded center, and all else seemed to be a backdrop to its special prominence.
When I shared the photo I scribbled the first draft of a new poem.
delicate, ephemeral, eternal; had I not chanced by as setting sun journeyed deep into the autumn woods to touch your face you would still have been as beautiful.
I knew it wasn’t quite right. “We’ll see what it develops into some time in the future,” I said then.
A few weeks later the poem was still with me. Once I’d written the rest, I found I just didn’t need those two first lines, they felt heavy and formal, and without them I found I could reorganize the lines of the poem, especially that really long one that I couldn’t split before. I also changed the word “journeyed” to “reached” because it was more of what I’d intended, remembering the sunlight that day as it moved down toward the horizon and reached and touched different spots deep in the woods. Added a comma too, and it became the finished poem above.